The introduction to this catalogue by Guy Bleus deals with definitions of mail art and the network and mail-art work including: 1. The phase of coding, 2. The phase of transmission, 3. The phase of receiving and decoding, 4. The phase of feedback and response snd finally, Senders and Receivers (or the Mail-Art Network). This catalogue provides an extensive address list of the contributors. -- Source of annotation: Marvin or Ruth Sackner.

The six essays in this catalog provide a history of the contemporary correspondence art movement. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of a collaborative mail art project dealing with collages in which the Tarot card theme was explored, the titles being "one son, two sons, three songs," etc. through "twenty years in the crepuscule." Each image reflects the title of the poem. The poems "eleven purloined stamps and twenty years in the crepuscule" are reproduced as photocopied colored prints. Baroni used a great deal of letraset letters for his contribution. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.

Includes the obituary of Edgardo Antonio Vigo. -- Source of annotation: Marvin or Ruth Sackner.

This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. This broadside was addressed to Wally Depew. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Guy Bleus. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Guy Bleus. -- Source of annotation: Marvin or Ruth Sackner.

Pawel Petasz initiated the Commonpress series of publications produced by the correspondence art network and was its first editor. Bleus discusses the etymology, grammer, spelling, meanings, practice, history, economy, psychology, sociology, art-criticism, ethics, and communication of mail art. -- Source of annotation: Marvin or Ruth Sackner.