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This broadside in an unfolded state together with other Ryosuke Cohen's Brain Cells and cards are stored in a large green & black folder. -- Source of annotation: Marvin or Ruth Sackner.

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This envelope was addressed to John Evans, a maker of artist stamps and collages. -- Source of annotation: Marvin or Ruth Sackner.

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Includes an inciteful essay about mail art by Buzz Spector. -- Source of annotation: Marvin or Ruth Sackner.

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Feature art of the seventies from the Michael Morris/Vincent Trasov archive assembled between 1968-1980. The archive is the largest collection of mail art in Canada and numbers 10,000 items. -- Source of annotation: Marvin or Ruth Sackner.

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John Held Jr. contributed an introductory essay entitled, "The Open World of Netland." Most of this catalogue printed on brown recyled paper consists of the list of participants. There are only two pages with images. -- Source of annotation: Marvin or Ruth Sackner.

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Mike Dyar writes on his note that "this was a collaboration between Ray Johnson & myself. He sent me this as a drawing & asked me to sculpt & cast it in plaster." -- Source of annotation: Marvin or Ruth Sackner.

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Author is also known as buZ blurr. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The writings on the dried onion leaves consist of brief phrases, such as 'magic cloth.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson.Internet: Coco Gordon, born in Genova, lives and works from her NYC loft and her home in the red rocks of Lyons, Colorado. She emigrated to the United States in 1939. An Intermedia artist/ poet/ performer/ papermaker/ publisher of W Space artist book editions, she is also known as SuperSkyWoman. For the 2001 Venice Biennale Coco contributed her Superskywoman dialog "Forget Coming' to the Markers Project on Via Garibaldi and contributed her performance poem "Homage to the butterfly' to the Bunker Poetry Project at the Artiglierie of the Arsenale.13 SuperSkyWoman dialog posters showed at De Garage, Belgium May3-June 23 2002, curated by Luc Fierens. She has participated in the London and the Istanbul Biennales....

Scope and Contents

The writings on the dried onion leaves consist of brief phrases, such as 'dildos & other games.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson. The documentation as to the edition size and number of this copy appears to have been lost. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The writings on the dried onion leaves consist of brief phrases, such as 'magic cloth.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson.Internet: Coco Gordon, born in Genova, lives and works from her NYC loft and her home in the red rocks of Lyons, Colorado. She emigrated to the United States in 1939. An Intermedia artist/ poet/ performer/ papermaker/ publisher of W Space artist book editions, she is also known as SuperSkyWoman. For the 2001 Venice Biennale Coco contributed her Superskywoman dialog "Forget Coming' to the Markers Project on Via Garibaldi and contributed her performance poem "Homage to the butterfly' to the Bunker Poetry Project at the Artiglierie of the Arsenale.13 SuperSkyWoman dialog posters showed at De Garage, Belgium May3-June 23 2002, curated by Luc Fierens. She has participated in the London and the Istanbul Biennales....

Scope and Contents

The writings on the dried onion leaves consist of brief phrases, such as 'dildos & other games.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson. The documentation as to the edition size and number of this copy appears to have been lost. -- Source of annotation: Marvin or Ruth Sackner.