Several of the images on the cards and prints incorporate the equation, Art=MC2, others deal with correspondence art. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Geza Perneczky. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Geza Perneczky. -- Source of annotation: Marvin or Ruth Sackner.

This is a reprint of a supplement to Arte Postale! 85 that was assembled by Baroni a7 E.O.N. in "2001 The Mail Art Year Of The Virtual Land." -- Source of annotation: Marvin or Ruth Sackner.

This work consists of the responses to a questionaire on Mail Art Archives sent to the recipients by Ferranto. Some of the collectors also indicated that their collections were for sale. -- Source of annotation: Marvin or Ruth Sackner.

Lists multiples, publications, prints, catalogues and ephemera of artists books. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispo, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.

This second volume of the catalogue mainly documents the Congress held in conjunction with the exhibition. It includes a congress summary by Kornelia Roder. There are also essays by Geza Perneczky, Karol Sauerland, Piotr Rypson, Guy Schraenen, Karla Sachse, Joachim Blank, and Balint Szombathy on the political-cultural-artistic implications of Mail Art. The catalogue contains a transcription of a panel discussion on Mail Art. The participants included Ruth Wolf-Rehfeldt, Klaus Groh, Leonard Frank Duch, Joseph H. Huber, Thomas Schulz, Birger Jesch, Hans-Ruedi Fricker, and Uwe Warnke. The catalogue reprints reviews of the exhibition. Four pages of calligraphic concrete poetry, entitled "Mnemonic Scores" by Valeri Scherstjanoi begin this book. -- Source of annotation: Marvin or Ruth Sackner.

The material in this exhibition was borrowed from the Artpool Archive. Geza Perneczky contributed an introduction. The Sackner Archive is listed in the reference section of overseas institutions "that deal with the archivation of Mail Art material." The cover of one copy is rubberstamped with the name and address of Geza Perneczky, the other is not. It is filed under its English title, "Stamp Images." -- Source of annotation: Marvin or Ruth Sackner.

This is a personal history of international artists' magazines from 1968-1988. For the bibliographic section, there is an ikon for each of the following: multimedia publication, fluxus/concept/neodada, concrete & visual poetry/experimental literature, assembling, mail art/network publication, rubber stamp, xerography/copy & electrographic art, graphism/graphzine, radicalism/neoism, theory/review/history, and by/about computer. Toward the end of this boo,k Perneczky provides a complete listing of Commonpress issues. -- Source of annotation: Marvin or Ruth Sackner.

This unedited and unpublished manuscript depicts drawings, graphics, photos, and visual poems produced by collage, rubberstamped or photocopied techniques. Most were rendered as photocopies. -- Source of annotation: Marvin or Ruth Sackner.