The images from the contributing artists/poets have the same background of a target with bull's eye. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of the responses to a questionaire on Mail Art Archives sent to the recipients by Ferranto. Some of the collectors also indicated that their collections were for sale. -- Source of annotation: Marvin or Ruth Sackner.

The box includes representative booklets, cards, and objects made by Collins, some for other mail art publications. A neck tie has a sewn label, Christian Boltanski (rather than Christian Dior). An accompanying typed pamphlet lists the publication where these works appeared along with the tirage. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Vittore Baroni and the booklets were edited by BAU. -- Source of annotation: Marvin or Ruth Sackner.

The background for the collage is a photocopied newspaper article that describes Baroni's mail art activities. -- Source of annotation: Marvin or Ruth Sackner.

Participants were requested to artistically or poetically interpret three pages of a Lego patent (1961) that was provided to them by Beaulieu. -- Source of annotation: Marvin or Ruth Sackner.

In response to Loeffler's request for a critical essay for his "Book on Correspondence Art" Crozier describes what it would be like to receive work from his colleagues in the mail art network. The narrative mentions over 450 names, all listed in alphabetical order. Mentions "Marvin Sackner who is the only non-artist in here or is he now..." -- Source of annotation: Marvin or Ruth Sackner.

Vittore Baroni, Robert Filliou, Bill Gaglione, Edgardo Antonio Vigo, William Xerra, Nicholas Zurbrugg, Lon Spiegelman, Marvin A. Sackner, Takako Saito, Eugenio Miccini, Clemente Padín, and Richard Kostelanetz are some of the names associated with this letter.

Object consists of pant's pocket mounted on cardboard. -- Source of annotation: Marvin or Ruth Sackner.

The letter has a large watercolor of the plant, Pulmonaria Officinalis - Lungwort dominating the left half recto of the letter. Furnival describes the reason for the name of this plant and also a visit to Russia and the Ukraine. -- Source of annotation: Marvin or Ruth Sackner.

The folded letters were printed in an edition of 650 in 1983-1991 and mailed to the Sackner Archive in separate envelopes by Edition Despalles, the distributor for Atelier des Grames, but the cassette that holds them is made upon request. -- Source of annotation: Marvin or Ruth Sackner.

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. -- Source of annotation: Marvin or Ruth Sackner.

Lost and Found Times was founded by John M. Bennett and Doug Landies in 1975 and currently continues with Bennett as editor. This anthology contains a selection of text and graphics from isssues 1 to 39. -- Source of annotation: Marvin or Ruth Sackner.

Described as "A mail art kit of the Funtastic United Nations" with texts coordinated by Vittore Baroni. This project was "conceived to create a bridge between the most different creative geographical entities and to stimulate cooperation amongst all kinds of imaginary contries and worlds." -- Source of annotation: Marvin or Ruth Sackner.

The book mainly documents the indictment and trial of the author for sending five "indecent" postcards in the mail. -- Source of annotation: Marvin or Ruth Sackner.

The book mainly documents the indictment and trial of the author for sending five "indecent" postcards in the mail. It is reprinted from the 1976 edition; the back covers differ. The loose sheets consist of a biography and bibliography. The photograph depicts a visual poem related to Queen Elizabeth. The rubberstamp reads unsolicited pornography and is stored separately. -- Source of annotation: Marvin or Ruth Sackner.

Includes "Make Something Differently," "The erotic is pleasure seeking its coherence," "Towards a new alphabet," and other photocopied work, including a message from Miekal And.