Correspondence art
Found in 150 Collections and/or Records:
My days as pebbles in a stream are many-coloured: what is the last one: [1114444], 1998
The center section of the drawing is stamped with repetitive numbers 1, 2, 3, and 4. The sides have column-like ink drawings and the corners list the letters W E I N. An abstract, design and dripped paint are positioned over the right side of the numbers. -- Source of annotation: Marvin or Ruth Sackner.
Nagging Questions and Aphoristic Remarks, 2008
Reed Altemus is the publisher of Live Matter. -- Source of annotation: Marvin or Ruth Sackner.
Networker Congress , 1992
[No.31] , 1997
This work was included in pete spence's archive. -- Source of annotation: Marvin or Ruth Sackner.
Not Everything Propaganda / Fox, Hugh., 1984
Submitted as entry to Homage To The Mad Diarist exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Onion/Union/Rayon, 1983
Onion/Union/Rayon, 1983
The writings on the dried onion leaves consist of brief phrases, such as 'dildos & other games.' The broadside documents the correspondence between Ray Johnson and Coco Gordon on onion skins beginning in 1981. It appears that the handwriting on the onion skins was done by Ray Johnson. The documentation as to the edition size and number of this copy appears to have been lost. -- Source of annotation: Marvin or Ruth Sackner.
Open World Open Mind , 1996
Operation Round-Trip N.2080 (36 x 46) , 1980
Opere dal 1978 al 1996, 1996
[Painting Frame Corner], 1998
The sample of a frame molding was stamped, addressed, and mailed to the Archive unwrapped without a return address. -- Source of annotation: Marvin or Ruth Sackner.
Participacion, No. 6, December, 1984
This periodical features announcements of mail art activities and political poems dealing with democratic oppression in Latin America. It is stored in the box with Padin's publications. -- Source of annotation: Marvin or Ruth Sackner.
Participacion, No.1, June, 1984
This periodical features announcements of mail art activities and political poems dealing with democratic oppression in Latin America. -- Source of annotation: Marvin or Ruth Sackner.
Penis of Willendorf, 1997
This sculpture was a collaborative project between Hitchcock and Dyar.The former found an eggplant in the shape of the sculpture that was cast by Dyar to make the multiple. -- Source of annotation: Marvin or Ruth Sackner.
[Perforated Envelopes], 1987
Probably Another Visual Poem by Vittore, 1989
Collage incorporates mailing receipts to Marvin Sackner. -- Source of annotation: Marvin or Ruth Sackner.
pulate a rupture, 2010
McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. Each page depicts three elements, e.g., a written word in Bennett's unique style at the top, a brief sentence by McMurtagh in the middle, and an electocardiographic tracing consistent with an acute myocardial infarction. -- Source of annotation: Marvin or Ruth Sackner.
Pushing the Envelope, 1997
Air mail envelopes, mailed to Kim Lieberman by herself, were returned from around the world from places she travelled. A chart documents the places and timing of the mailings. -- Source of annotation: Marvin or Ruth Sackner.
Random Sightings (With No One Around); letters from d.a. levy, 2007
This book consists of letters in reproduction from d.a. levy to his friends. The originals were handwritten, typed, and mimeographed. In addition, several of levy's abstract expressionistic paintings are reproduced in color. -- Source of annotation: Marvin or Ruth Sackner.
