Baroni writes "A triumph of the do-it-yourself esthetic, Semina is a fragmentary guidebook to alternative modes of thinking, living, and art-making..." -- Source of annotation: Marvin or Ruth Sackner.

The words "garden heart" are printed on a fragment of heart-shaped green paper enclosed within a plastic bag along with fragments of dried leaves and flowers. The object is a thank you expression from Baker on her visit to the Archive. -- Source of annotation: Marvin or Ruth Sackner.

Doris Boris was an Austrian pop singer who moved to San Francisco to assume a neo-expressionist painterly career. -- Source of annotation: Marvin or Ruth Sackner.

McMurtagh resides in San Diego, California; presumably this collaboration took place through the mail. Although the pages are photocopied, the composition was made with a combination of ink jet printing and rubberstamping. -- Source of annotation: Marvin or Ruth Sackner.

Mike Dyar writes on his note that "this was a collaboration between Ray Johnson & myself. He sent me this as a drawing & asked me to sculpt & cast it in plaster." -- Source of annotation: Marvin or Ruth Sackner.

George Lott was an American soldier in WWII whose wounding in battle was published by Life magazine. Because of this publicity, he received over 3000 letters. Baroni's homage consists of collaging two paper, addressed envelopes from mail he received to each of 10 pages and both covers and adding band-aids or adhesive tape to them. -- Source of annotation: Marvin or Ruth Sackner.

Author is also known as buZ blurr. -- Source of annotation: Marvin or Ruth Sackner.

The images from the contributing artists/poets have the same background of a target with bull's eye. -- Source of annotation: Marvin or Ruth Sackner.

This work consists of the responses to a questionaire on Mail Art Archives sent to the recipients by Ferranto. Some of the collectors also indicated that their collections were for sale. -- Source of annotation: Marvin or Ruth Sackner.

The box includes representative booklets, cards, and objects made by Collins, some for other mail art publications. A neck tie has a sewn label, Christian Boltanski (rather than Christian Dior). An accompanying typed pamphlet lists the publication where these works appeared along with the tirage. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Vittore Baroni and the booklets were edited by BAU. -- Source of annotation: Marvin or Ruth Sackner.

The background for the collage is a photocopied newspaper article that describes Baroni's mail art activities. -- Source of annotation: Marvin or Ruth Sackner.

Participants were requested to artistically or poetically interpret three pages of a Lego patent (1961) that was provided to them by Beaulieu. -- Source of annotation: Marvin or Ruth Sackner.

In response to Loeffler's request for a critical essay for his "Book on Correspondence Art" Crozier describes what it would be like to receive work from his colleagues in the mail art network. The narrative mentions over 450 names, all listed in alphabetical order. Mentions "Marvin Sackner who is the only non-artist in here or is he now..." -- Source of annotation: Marvin or Ruth Sackner.

Vittore Baroni, Robert Filliou, Bill Gaglione, Edgardo Antonio Vigo, William Xerra, Nicholas Zurbrugg, Lon Spiegelman, Marvin A. Sackner, Takako Saito, Eugenio Miccini, Clemente Padín, and Richard Kostelanetz are some of the names associated with this letter.

Object consists of pant's pocket mounted on cardboard. -- Source of annotation: Marvin or Ruth Sackner.

The letter has a large watercolor of the plant, Pulmonaria Officinalis - Lungwort dominating the left half recto of the letter. Furnival describes the reason for the name of this plant and also a visit to Russia and the Ukraine. -- Source of annotation: Marvin or Ruth Sackner.