Critical text
Found in 3 Collections and/or Records:
List 16 / White, Brent L. ; Apollinaire G ; Duchamp M ; Beckett S ; Kostelanetz R ; Ondaatje M ; Patchen K ; Queneau R ; Stein G., 1999
Presences Polonais / Apollinaire G ; Arp H ; Beckett S ; Berlewi H ; Beuys J ; Breton A ; Burliuk D ; Cage J ; Delaunay S ; Duchamp M ; Ernst KS ; Goncharova N ; Heartfeld J ; Huidobro V ; Ionesco E ; Joyce J ; Larionov M ; Lissitzky E ; Mayakovsky V ; Malevich K ; Mallarme S ; Marinetti FT ; Opalka R ; Rodchenko A ; Schwitters K ; Seuphor M ; Strzeminski W ; Themerson F ; Themerson S ; Torres-Garcia J ; Tzara T ; VanDoesburg T., 1983
Subitiled "L'art vivant autour du musee de Lodz," the exhibition and catalogue was more than a panorama or a retrospective of the intellectual, artistique and spiritual center of art in Poland. It was a multi-discipline manifestation of a utopian community which started in the 1930's and gave a voice to the cultural and artistic collaboration between Poland and France. The Sackners attended this exhibition held at the Pompidou Centre. -- Source of annotation: Marvin or Ruth Sackner.
The Theatre of Mixed Means / Kostelanetz, Richard ; Apollinaire G ; Artaud A ; Beckett S ; Brecht G ; Breton A ; Burroughs WS ; Cage J ; Duchamp M ; Ernst M ; Ginsberg A ; Hansen A ; Higgins D ; Joyce J ; Kaprow A ; Kepes G ; McLuhan M ; Samaras L ; Schneemann C ; Stern G ; Young L ; Zazeela M., 1968
This book is "an introduction to happenings, kinectic environments, and other mixed-media performances." Nine members of the 1960's avant garde discuss their works with Kostelanetz in the new theatre forms, including John Cage, Robert Rauschenberg, Allan Kaprow, Claes Oldenberg and La Monte Young. Richard Kostelanetz contributes two essays interpreting the new theatre in terms of its historical, social and aesthetic meaning. -- Source of annotation: Marvin or Ruth Sackner.