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Designated Writers Forum Pamphlet Three. -- Source of annotation: Marvin or Ruth Sackner.

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This book mainly deals with examples of convention poems written by German speaking poets along with a critical analysis by Breuer. -- Source of annotation: Marvin or Ruth Sackner.

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This is a revision of a book published in 1977 which surveys 20th century art history with accentuation of works with visual/verbal imagery. -- Source of annotation: Marvin or Ruth Sackner.

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Includes article "A Poesia Concreta e Eugene Gomringer." -- Source of annotation: Marvin or Ruth Sackner.

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Solt analyzes Gomringer's concrete poem, "ping pong" in depth. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is the first edition, first printing. In the beginning of this book, traces the poets of concrete poetry country by country as follows: Switzerland, Brazil, Germany, Austria, Iceland, Czechoslovakia, Turkey, Finland, Denmark, Sweden, japan, France, Belgium, Italy, Portugal, Mexico, Spain, Scotland, England, Canada, and United States. This is followed by a section dealing with manifestos by Gomringer, the Noigandres Group, Max Bense, Oyvind Fahlstrom, Henri Chopin, Paul De Vree, Jonathan Williams, and Ian Haimilton Finlay. The next section consists of concrete poems from from poets worldwide. Obituary: Mary Ellen Solt, 86; poet, poetry critic, By Mary Rourke, Times Staff Writer, June 29, 2007 Mary Ellen Solt, a poet and poetry critic who often arranged words on the page in a visual graphic, resulting in such works as "Forsythia," a poem that looks like a flowering shrub, has died. She was 86. Solt died June 21 at Henry Mayo Newhall Memorial Hospital in Santa Clarita after...

Scope and Contents Unable to identify this poet in a Google search. Russell Kierzkowski contributes a brief history and definition of concrete poetry as quoted as follows. "Concrete poetry has taken root in the literary soil of the United States. Small presses are attempting to establish and develop this fresh medium. Concrete poetry is a positive response to an earnest demand for adequate methods of communication. For advanced methods of thought, typography and design are the essential tools of this international.rnovement that is exercising the many dimensions of poetry which have long been suppressed by the antiquated hierarchy of literature. Arnold Linton is a local artist concerned with this emerging art. A free-lance graphic designer and typographer, he utilizes his press - the hermit press by participating in the movement to validate concrete poetry as an artform. The hermit press is one of the many small presses making an important contribution in addition to the work in concrete poetry the...

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Deals with the Chinese ideograms of Ezra Pound. From a series on art edited by Eugen Gomringer. -- Source of annotation: Marvin or Ruth Sackner.

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This issue contains essays that analyze different poetic genres. Lothar Bornscheuer contributes an essay on Eugen Gomringer's Konstellationen. -- Source of annotation: Marvin or Ruth Sackner.

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This is a definitive catalogue of the wiener gruppe. A section toward the end of the book depicts artworks by the group to subsequent artworks done by the international art community suggesting their widespread influence. The original typings of two Achleitner's poetry suites are held by the Sackner Archive (one of o i studie typings depicted in this record).. -- Source of annotation: Marvin or Ruth Sackner.

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This is a definitive catalogue of the wiener gruppe. A section toward the end of the book depicts artworks by the group to subsequent artworks done by the international art community suggesting their widespread influence. -- Source of annotation: Marvin or Ruth Sackner.

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As described by William Allen, this is a printed card folio with a printed tipped-in pocket containing 5 four pages of folded illustrated essays together with a Gomringer blue type print of "Silencio" on white paper. The essays are illustrated and informative and consist of the following: 1) Eugen Gomringer in the UK, 2011 Concept as Concrete Form: Visual Poetry, Texts and Typography; 2) Eugen Gomringer in the UK "father of concrete poetry" by Roger Brown; 3) The Conz Donation at De Montford University - Eugen Gomringer and Nicholas Zurbrugg by Robert Richardson; 4) Stuart Mills; 5) Concept as Concrete Form List of Works. Allen writes that this is a beautifully produced catalogue published at the time of Gomringer's UK tour in 2011 with useful reference information and also a section on the English concrete poet Stuart Mills.The cover is silkscreen with eg. -- Source of annotation: Marvin or Ruth Sackner.

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This book consists of reproductions of visual poetry collages in homage to Eugen Gomringer as well as visual poems from the Leonardo Project. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Beaulieu comments: an afterword after words: notes towards a concrete poetic.Despite over a century of poetic innovation since Stephane Mallarme's "Un Coup de Des Jamais n'Abolira le Hasard" (1896) & almost 50 years since the publication of Eugen Gomringer's manifesto "Concrete Poetry" (1956), there is still no accepted critical vocabulary for concrete poetry. Concrete poetry is often contextualized historically & is categorized as a subgenre of radicalized praxis from its predominantly modernist period in the 1950s through to the present. By reiterating this historical precedent -- a stridently modernist activity -- criticism on concrete poetry more often than not reifies the idea that this form is still in its infancy, requiring a citation of poetic precedent in order to justify its existence. Brion Gysin remarked that "writing is fifty years behind painting," an assertionevident in the cultural & critical reception for concrete poetry. Readings based upon...

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This book was based upon proceedings of 17th annual workshop sponored by the Department of German at the University of Wisconsin-Madison. Reinhold Grimm wrote a detailed, historical, illustrated essay on emblem, concrete and shaped poetry titled, "Poems and/as Pictures: A Quick Look at Two and a Half Millennia of Ongoing Aesthetic Intercourse." Sixty five examples of such poems are depicted. Grimm provides several shaped poems by different authors from George Herbert to Eugen Gomringer on "meditative wings." A shaped poem by an anonymous author entiltled "Cube" (1710) is printed in German and Yiddish (Figure 29). ee cummings' poem "Grasshopper" (1935) is reprinted (Figure 32). Includes three erotic shaped poems by Reinhold Aman, editor of the magazine, Maledicta (Figures 62-64). -- Source of annotation: Marvin or Ruth Sackner.

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Gomringer contributed a critical essay "Drawing as Reflected Identity." Nussbaumer wrote "The Notion of the Gaze: The Athletic Configuration of Drawing and Painting." Koreny's essay is titled "Drawing and Prints." -- Source of annotation: Marvin or Ruth Sackner.

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This is a reprint of an article published in Cimal No.11-12. -- Source of annotation: Marvin or Ruth Sackner.