Critical text
Found in 26 Collections and/or Records:
Ampersand, The. No.3/Sum / Lissitzky E ; Zwart P ; Butler F ; Johnston A., 1986
Art as the Evolution of Visual Knowledge / Biederman, Charles ; VanDoesburg T ; Hugnet G ; Arp H ; Carroll L ; Ball H ; Eluard P ; Lissitzky E ; Picabia F ; Picasso P., 1948
Art for the Masses: Russian Revolutionary Art from the Merrill C. Berman Collection / Lissitzky E ; Rodchenko A ; Mayakovsky V ; Annenkov Y ; Roman GH., 1985
Bulletin. No.3 / Lissitzky E ; Ballerini L ; Apollinaire G ; Marinetti FT ; Caws MA ; Finlay IH., 1990
Dada in Zurich / Huelsenbeck R ; Lissitzky E ; Picabia F ; Serner W ; Tzara T ; Albert-Birot P ; Bolliger H ; Ball H ; Picabia F., 1985
Designing Modernity: The Arts of Reform and Persuation 1885-1945 / Delaunay S ; Cendrars B ; Marinetti FT ; Depero F ; Lissitzky E ; d'Albisola T ; Munari B ; Lewis WP ; Zwart P ; Duchamp M ; Sackner RK ; Sackner MA ; Kaplan W ; Lamonaca M., 1995
The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Eye. No.26/Fall / Cage J ; Satie E ; Feldman M ; Knowles A ; Higgins D ; Ono Y ; Phillips T ; Zwart P ; Heller S ; Heartfeld J ; Lissitzky E ; Rodchenko A ; Stepanova V ; Telingater S ; Carson D ; Tschichold J ; Eno B., 1997
John Walters contributes a lengthy, well illustrated essay, "Sound, code, image," that describes visual musical scores that composers use to liberate their sound from its five-line grid. He claims these scores are graphic designs of music. Steven Heller traces the history of picture magazines from German, Russian, Dutch and finally the American Life magazine. He notes that these visual narratives succeeded until the advent of television. Julia Thrift describes the radical magazines published for political purposes on duplicators, copy machines and now on the internet in her essay, "Do-it-yourself." -- Source of annotation: Marvin or Ruth Sackner.
For the Voice: Sounds & Silence in Artists' Books / Bury, Stephen ; Mayakovsky V ; Lissitzky E ; Mallarme S ; Marinetti FT ; Ernst M., 1994
Published on the occasion of an exhibition at workffortheeyetodo in London, April-May, 1994. -- Source of annotation: Marvin or Ruth Sackner.
Form. No.3/Dec / Philip Steadman, Mike Weaver, Stephen Bann, editors ; Lissitzky E ; Malevich K ; Finlay IH ; Jandl E ; Schwitters K ; Bann S ; DeVree P., 1966
El Lissitzky describes his theatrical plans for "The Electrical-Mechanical Spectacle." It was published as a folio of ten colored lithographs which were used by Mayakovsky in "For Reading Out Loud." The Spectacle used the music from "Victory Over the Sun" by Krutchyck with sets by Malevich. -- Source of annotation: Marvin or Ruth Sackner.
futurist typography and the liberated text / Bartram, Alan ; Albert-Birot P ; Altman N ; Apollinaire G ; Arp H ; Ball H ; Binazzi ; Burliuk D ; Buzzi P ; Cangiullo F ; Carra C ; Corra B ; Crali T ; Depero F ; Duchamp M ; Ferrante G ; Fior R ; Ginna A ; Goncharova N ; Guro E ; Hausmann R ; Janelli G ; Jamar 14 ; Kamensky V ; Khlebnikov V ; Kruchenykh A ; Kalbin N ; Larionov M ; Lissitzky E ; Mallarme S ; Malevich K ; Mattioli A ; Marinetti FT ; Mazza A ; Moholy-Nagy L ; Morpurgo N ; Olita O ; Rozanova O ; Russolo L ; Saporta M ; Schwitters K ; Settimelli E ; Severini G ; Soffici A ; Soggetti G ; Steiner G ; Themerson S ; Tschichold J ; Tzara T ; VanOstaijen P ; Venna L ; Volt ; Wright E ; Zdanevich I ; Zwart P., 2005
First published by the British Library in 2005. The English translations and/or annotations are printed at the bottom of the page that depicts these poems. This book reproduces pages of Kruchenykh & Khlebnikov's "A Game in Hell" (1914) on pages 40-41, and, Ilia Zdanevich's "Le-Dentyu as a Beacon" (1923) on pages 50-69. Pages from Lacerba, the futurist periodical, are reproduced on pages 118-131. Pages from L'Italia Futurista that ran from 1916-1918 are reproduced on pages 133-155. -- Source of annotation: Marvin or Ruth Sackner.
Had Gadya: The Only Kid (facsimile) / Lissitzky, El., 2004
This book is a facsimile of the Passover song published in 1919. It also includes the wraparound cover and an introduction to the book's cultural and artistic contexts, descriptions of its imagery and polyglot vocabulary, an English translation of the song from Lissitzky's Yiddish and lyrics set to music. Resouces publishes primary materials held by the Getty Research Institute. the book is edited by Arnold J. Band and Nancy Perloff contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.
Monogrammi e Figure / Anceschi, Giovanni ; Bayer H ; Mayakovsky V ; Lissitzky E., 1981
New Graphic Design in Revolutionary Russia / Bojko, Szymon ; Rushkov J ; Goncharova N ; Larionov M ; Malevich K ; Filonov P ; Rozanova O ; Lissitzky E ; Lebedev V ; Stenberg G ; Stenberg V ; Rodchenko A ; Semyonova V ; Klucis G ; Prusakov N ; Telingater S ; Popova L ; Vesnin A ; Favorski V., 1972
The text surveys the experiments and achievements in the graphic arts from 1917 to 1929, traces the influence of Russian folk art, Futurist poetry, Cubist art and Dada and describes how graphics brought the Revolutionary message to the people. Rodchenko's photomontage for "Pro Eto" and Telingater's jacket for Kirsanov's novel (1930) held by the Sackner Archive are reproduced. -- Source of annotation: Marvin or Ruth Sackner.
New Worlds: Russian Art and Society 1900-1937 / Elliott, David ; Burliuk D ; Chernikov I ; Chashnik IG ; Exter A ; Goncharova N ; Kamensky V ; Khlebnikov V ; Larionov M ; Lissitzky E ; Malevich K ; Mayakovsky V ; Popova L ; Puni I ; Stepanova V ; Udaltsova N., 1986
Print: Including Digital Design & Illustration Annual 7. No.4/Jul-Aug / Newell P ; Heller S ; Spiegelman A ; Lissitzky E ; Finlay IH ; Kindersley R ; Stirling A ; Harvey M ; Sloan N., 1999
Ellen Shapiro contirbuted an essay, "Posterity's Yiddishkeit," dealing with the Yiddish Book Center. In it, she mentions and reproduces the cover of a facsimile edition of El Lissitzky's "Yingle Tsingl Khvat." The Sackner Archive holds the second edition of this book published in Warsaw. It is a children's story in verse about a boy named Tsingl Dhvat who brought winter to his village. Juanita Dugdale writes about the English craft of lettercutting in stone and mentions the work of Ian Hamilton Finlay. This issue features a large section that reproduces computer screens on the Internet. -- Source of annotation: Marvin or Ruth Sackner.
Print: Print's Regional Design Annual. No.5/Sep-Oct / Rodchenko A ; Lissitzky E ; Moholy-Nagy L ; Heller S ; Poynor R ; Gerlovin V ; Gerlovina R ; Scher P ; Lupton E., 1997
Ellen Lupton reviewed The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. Steven Heller contributed an interview with Rick Poynor, design writer and editor of Eye Magazine. -- Source of annotation: Marvin or Ruth Sackner.