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Critical text

 Subject
Subject Source: Sackner Database

Found in 44 Collections and/or Records:

An Introduction to the Theory and Practice of Letterist Painting As Exemplified in the Oeuvre of Maurice Lemaitre in Proceedings of the First International Symposium on Letterism / Failing, Patricia; Lemaitre M; Isou I; Marinetti FT; Schwitters K., 1976

 Item
Identifier: CC-13284-13585
Scope and Contents

This manuscript, published as a book that is also held by the Sackner Archive, was presented at the First International Symposium on Letterism. In the introduction, Failing focuses on Isou and mentions that James Joyce was his earliest inspiration. Takes up Lemaitre work when he is 24 years old and preparing his picture novel, Canailles. Note that even in his early works, Lemaitre's images can be distinguished from Isou in that they are more refined and contain a greater variety of shapes and lettering. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Books as Art / Phillips T ; Johns J ; Marinetti FT ; Telingater S ; Soffici A ; Lissitzky E ; Iliazd ; Ernst M ; Mallarme S ; Patchen K ; Hirschman J ; Ely T ; Caruso L ; Charriere G ; Furnival J ; Jackman S ; Kolar J ; Lewty S ; Lemaitre M ; Macia C., 1992

 Item
Identifier: CC-23449-23893
Scope and Contents

This is the second revised edition that includes the proceedings of a symposium in which the Sackners took part. Timothy Eaton curated this comprehensive exhibition of book art and in the preface acknowledges the Sackner Archive as "the premier contributors with the loan of fifty works..." All the authors contributing an essay to this catalog signed the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Brache di Gutenberg, Le: Storia: Cinque Manifesti Futuristi. No.16 / Luciano Caruso, editor ; Marinetti FT ; Prampolini E., 1992

 Item
Identifier: CC-23769-24216
Scope and Contents

Consists of five reprints of futurist manifestos with critical comments by Caruso. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1992

Brache di Gutenberg, Le: Storia: Mostra nazionale d'arte futurista (Catalogo): Aeropittura Arte Sacra Pittura Scultura Futuriste. No.5 / Filippo Tommaso Marinetti, editor ; Caruso L., 1984

 Item
Identifier: CC-22201-22623
Scope and Contents

Edited by Luciano Caruso and Sonia Puccetti. This is a reprint of a magazine published in 1932. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Close Listening: Poetry and the Performed Word / Bernstein, Charles, editor ; Andrews B ; Drucker J ; McCaffery S ; Perloff M ; Silliman R ; Apollinaire G ; Marinetti FT ; Tzara T ; Morgenstern C ; Kamensky V ; Picabia F ; Hausmann R ; Lemaitre M ; Gomringer E ; MacLow J ; Hatherly A ; Howe S ; Rasula J ; O'Sullivan M ; Retallack J ; Nichol bp ; Carroll L ; Lewis WP ; Antin D ; Watten B ; Pound E ; Quartermain P., 1998

 Item
Identifier: CC-32053-33587
Scope and Contents

The editor states that the 17 essays in this book are concerned with poetry readings, the sound of poetry and the visual performance of poetry. They "offer original and wide-ranging elucidations of how twentieth-century poetry has been practiced as a performance art." Johanna Drucker contributed a chapter titled "Visual Performances of the Poetic Text" in which she describes and illustrates several poems of early 20th century visual poetry movements including an in depth analysis of "Poesie de mots inconnus" by Iliazd, a book that is held by the Sackner Archive. A listing of audio resources and a bibliography are included. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Czech Avant-Garde Books 1922-1938 / Vloemans, John ; Biebl K ; Breton A ; Nezval V ; Seifert J ; Teige K ; Hoffmeister A ; Marinetti FT ; Styrsky J ; Sutnar L., 1994

 Item
Identifier: CC-00874-895
Scope and Contents

The complete text of Karel Teige's typographic manifesto, published in Typografia No.34, 1927, is reprinted at the end of this catalogue in German. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

Depero Futurista & New York by Maurizio Scudiero & David Lieber / Depero, Fortunato ; Marinetti FT., 1986

 Item
Identifier: CC-15156-15477
Scope and Contents

This book was published to coincide with an exhibition of the same title held in Rovereto. The bolted book and pages from Cordial Campari, books held by the Sackner Archive are described and reproduced. In a letter to Marinetti from NYC, Depero write on page 259 "There is no other city... where you can learn to know the Jewish people. My best clients, friends, admirers are Jews... Very patient, very hard-working, persistant to the unbelievable point... They are absolutely sensitive... -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1986

Designing Modernity: The Arts of Reform and Persuation 1885-1945 / Delaunay S ; Cendrars B ; Marinetti FT ; Depero F ; Lissitzky E ; d'Albisola T ; Munari B ; Lewis WP ; Zwart P ; Duchamp M ; Sackner RK ; Sackner MA ; Kaplan W ; Lamonaca M., 1995

 Item
Identifier: CC-16200-16543
Scope and Contents

The catalogue edited by Wendy Kaplan was published for the inaugural exhibition of the Wolfsonian Museum, Miami Beach. The Sackner Archive lent Sonia Delaunay's "Transsiberien Railway" to the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

El Poema de la Rosa als Llavis / Salvat-Papasseit, Joan ; Molas J ; Marinetti FT., 1978

 Item
Identifier: CC-49558-70606
Scope and Contents

Joaquim Molas contributed a lengthy introductory biographic essay. This is the 22nd printing of the book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1978

Figure Scritture: Su certi segni delle arti e del mass media / Pignotti, Lamberto ; Marinetti FT ; Boccioni U ; Balla G ; Soffici A ; Buzzi P ; Janelli G ; Depero F ; Campigli M ; Cangiullo F ; Venna L ; Valeria I ; Govoni C ; Picasso P ; Braque G ; Prampolini E ; Severini G ; Hausmann R ; Grosz G ; Heartfeld J ; Hoch H ; Lissitzky E ; Rodchenko A ; Klucis G ; Mayakovsky V ; Shahn B ; Johns J ; Maciunas G ; Rauschenberg R ; Lichtenstein R ; Marocco A ; Vaccari F ; Ori L ; Miles ; Turati P ; Mussio M ; Nannucci M ; Mesciulam P ; Gualtieri M ; Ferrari V ; Isgro E ; Ermini F ; Lai M ; Accame V ; Blank I ; Xerra W ; Apolloni I ; Bonamini E ; D'Ottavi C ; Finotti C ; Lattanzi L ; Diamantini C ; Ferri G ; Oberto M ; Fontana G ; Sandri G ; Vitone R ; Selleri A ; Miglietta E ; Baroni V ; Argnani D ; Badini P ; Bentivoglio M ; Vioka L ; Bruscky P ; Marcucci L ; Cerroni-Cadoresi D ; Ferrando B ; Fedi F ; DelBarco P ; Moroni M ; Pinni DC ; Pavanello G ; Flores A ; Spatola A ; Colonna G ; Vitacchio A ; Savio G ; Gini G ; Raworth T ; Bertola C ; Blaine J ; Ronchi D ; Verdi F ; Lora-Totino A ; Gut E ; Binga T ; Kempton K ; Rosenberg MR ; Conte B ; Borghesi G ; Maggi R ; Diotallevi M ; Conte V ; Grasso E ; Len E ; Gelmi A ; Cattania L ; Roncoroni F ; Ciani P ; Danon B ; Conti CM ; Arbizzani L ; Beltrametti F ; Franchi G ; Niccolai G ; Riberto F(c ) ; Ruffato C ; Pignotti L ; Perfetti M ; Sterpini U ; Minarelli E., 1987

 Item
Identifier: CC-03967-4042
Scope and Contents

Pignotti provides an extensive historic review of visual/verbal material including discussions of major art movements as well as fashions and pornography. Contemporary presentations relate primarily to Italian poets and artists. Corrado D'Ottavi's collage 'Lei e artista?' depicted on page 279 of this book is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1987

For the Voice: Sounds & Silence in Artists' Books / Bury, Stephen ; Mayakovsky V ; Lissitzky E ; Mallarme S ; Marinetti FT ; Ernst M., 1994

 Item
Identifier: CC-24127-24579
Scope and Contents

Published on the occasion of an exhibition at workffortheeyetodo in London, April-May, 1994. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1994

From Science to Systems of Art / Railing, Patricia ; Burliuk D ; Malevich K ; Ouspensky P ; Kruchenykh A ; Khlebnikov V ; Marinetti FT ; Kamensky V., 1989

 Item
Identifier: CC-03126-3175
Scope and Contents

The author describes "The Naked One Among the Clad" as Kemensky's first ferroconcrete book of poetry. She also cites and translates into English "Futuristy-Hylaea" and "Constantinople" (probably the first ferroconcrete poem). Both are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1989

Holopoetry / Kac, Eduardo ; Mallarme S ; Marinetti FT ; Apollinaire G ; Kamensky V ; Gomringer E ; DeCampos H ; DeCampos A ; Pignatari D ; Kostelanetz R., 1995

 Item
Identifier: CC-08107-8267
Scope and Contents

Subtitled "Essays, manifestoes, critical and theoretical writings" the author traces the developement of visual poetry from Mallarme to contemporary multi-media poets. The essays concentrate on holographic techniques and specific holopoems of the author. The book includes in depth interview of Kac. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

La Otra Escritura: La poesia experimental espanola 1960-1973 / Sarmiento, Jose Antonio ; Marinetti FT ; Campal JL ; deTorre G ; Junoy JM ; Hidalgo J ; Marchetti W ; Ferrer E ; Millan F ; Castillejo JL ; Brossa J ; Cirlot JE ; Viladot G ; Pino F ; Boso F ; Medina V ; Caballlero EG., 1988

 Item
Identifier: CC-50330-71398
Scope and Contents

This book reproduces announcement and invitiation cards of gallery exhibitions of concrete and visuaal poetry in Spain in the 1960s and early 1970s. This is followed by an an in-depth review illustrations of the works composed by these poets. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1988