Critical text
Found in 4 Collections and/or Records:
Poems for the Millennium: Volume Two from Postwar to Millenium / Rothenberg, Jerome, editor ; Joris, Pierre, editor ; Alechinsky P ; Andrews B ; Antin D ; Artaud A ; Artmann HC ; Ashbery J ; Balestrini N ; Bann S ; Bayer K ; Beckett S ; Bernstein C ; Berrigan T ; Blackburn P ; Blaser R ; Brecht G ; Breton A ; Brossard N ; Cage J ; Celan P ; Chopin H ; Cobbing B ; Coolidge C ; Corso G ; Costley R ; Creeley R ; DeCampos A ; DeCampos H ; Deguy M ; Depestre R ; DiPrima D ; Dotremont C ; Duchamp M ; Duncan R ; Eshleman C ; Filliou R ; Finlay IH ; Fisher A ; Garnier I ; Garnier P ; Gillespie AL ; Ginsberg A ; Guyotat P ; Gomringer E ; Heidsieck B ; Higgins D ; Hollo A ; Howe S ; Jandl E ; Joris P ; Jorn A ; Joyce J ; Kaufman B ; Kerouac J ; Kirsch S ; MacLow J ; MacDiarmid H ; Maciunas G ; Mansour J ; Mayrocker F ; McCaffery S ; McClure M ; Meltzer D ; Michaux H ; Olson C ; Oppen G ; Niccolai G ; Nichol bp ; O'Sullivan M ; Owens R ; Paz O ; Phillips D ; Pound E ; Raworth T ; Roche D ; Rosenberg J ; Rothenberg J ; Ruhm G ; Sanders E ; Scalapino L ; Schneemann C ; Schwerner A ; Niikuni S ; Silliman R ; Spatola A ; Debord G ; Stein C ; Stein G ; Tarn N ; Voznesensky A ; Waldman A ; Waldrop R ; Watten B ; Weiner H ; Williams E ; Young K ; Zukofsky L ; Weiner O ; Weiner H ; Guston P., 1998
The cover design depicts a page of Tom Phillips' A Humument. This extensive poetry anthology has brief comments that accompany some of the poems, -- Source of annotation: Marvin or Ruth Sackner.
Poems for the Millennium: Volume Two from Postwar to Millenium / Rothenberg, Jerome, editor ; Joris, Pierre, editor ; Alechinsky P ; Andrews B ; Antin D ; Artaud A ; Artmann HC ; Ashbery J ; Balestrini N ; Bann S ; Bayer K ; Beckett S ; Bernstein C ; Berrigan T ; Blackburn P ; Blaser R ; Brecht G ; Breton A ; Brossard N ; Cage J ; Celan P ; Chopin H ; Cobbing B ; Coolidge C ; Corso G ; Costley R ; Creeley R ; DeCampos A ; DeCampos H ; Deguy M ; Depestre R ; DiPrima D ; Dotremont C ; Duchamp M ; Duncan R ; Eshleman C ; Filliou R ; Finlay IH ; Fisher A ; Garnier I ; Garnier P ; Gillespie AL ; Ginsberg A ; Guyotat P ; Gomringer E ; Heidsieck B ; Higgins D ; Hollo A ; Howe S ; Jandl E ; Joris P ; Jorn A ; Joyce J ; Kaufman B ; Kerouac J ; Kirsch S ; MacLow J ; MacDiarmid H ; Maciunas G ; Mansour J ; Mayrocker F ; McCaffery S ; McClure M ; Meltzer D ; Michaux H ; Olson C ; Oppen G ; Niccolai G ; Nichol bp ; O'Sullivan M ; Owens R ; Paz O ; Phillips D ; Pound E ; Raworth T ; Roche D ; Rosenberg J ; Rothenberg J ; Ruhm G ; Sanders E ; Scalapino L ; Schneemann C ; Schwerner A ; Niikuni S ; Silliman R ; Spatola A ; Debord G ; Stein C ; Stein G ; Tarn N ; Voznesensky A ; Waldman A ; Waldrop R ; Watten B ; Weiner H ; Williams E ; Young K ; Zukofsky L ; Weiner O ; Weiner H ; Guston P., 1998
The cover design depicts a page of Tom Phillips' A Humument. There are brief comments that accompany some of the poems in this extensive poetry anthology. -- Source of annotation: Marvin or Ruth Sackner.
Pre-Faces & Other Writings / Rothenberg, Jerome ; Creeley R ; Abulafia A ; Antin D ; Apollinaire G ; Ball H ; Beckett S ; Blackburn P ; Breton A ; Brown B ; Burroughs WS ; Cage J ; Celan P ; Duchamp M ; Duncan R ; Finlay IH ; Ford CH ; Ginsberg A ; Hirschman J ; Isou I ; Jabes E ; Kaprow A ; Lamantia P ; Lewis WP ; MacLow J ; Mallarme S ; Olson C ; Patchen K ; Quasha G ; Ray M ; Stein G ; Tarn N ; Tzara T., 1981
This volume is the first collection of Rothenberg's poetic writings and includes ideas and excerpts from his books and essays. Rothenberg indicates that Abulalfia (1240-c.1291) himself writes of the abstracting/spiritualizing process which he then employs & by which the world is apprehended as language/sound: "Know that the method of tseruf (the combination of letters) can be compared to music; for the ear hears sounds from various combinations,in accordance with the character of the melodu & the instrument. In touch with yogic currents fgrom the East, Abulafia's intention was mantric, but his practice of a systemic & concrete poetry also closely resembles the 20th century Lettrisme of Isidore Isou, the asymmetries & nuclei of Jackson Mac Low & the blues Kabbalah improvisions of Jack Hirschman, all of whom he may have influenced. -- Source of annotation: Marvin or Ruth Sackner.