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Critical text

 Subject
Subject Source: Sackner Database

Found in 3383 Collections and/or Records:

Antiquarian Book Review: Rare Book Review. No.363/Feb-Mar / VanVleit C ; Phillips T., 2006

 Item
Identifier: CC-44554-46705
Scope and Contents

There is a brief mention (page 9) of Tom Phillips' Dante's Inferno in an exhibition entitled "The Devine Collaboration" held at Cambridge University in 2006. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Antiquarian Book Review: Rare Book Review. No.368/Dec-Jan., 2006

 Item
Identifier: CC-46134-48846
Scope and Contents

This issue contains an article "Daylight Lottery" which describes how "the impressive buying power of US institutions has seen the collections of many European writers housed away from their home markets - to public outcry. In the first part of her investigation, Sara Waterson reveals how the problem starts at governmental level." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2006

Antiquarian Book Review: Rare Book Review. No.369/Feb-Mar7., 2007

 Item
Identifier: CC-46364-49089
Scope and Contents

This issue contains an article "Overpaid and Over There..." which is a continuation of the description of how "the impressive buying power of US institutions has seen the collections of many European writers housed away from their home markets - to public outcry. In this second part of Sara Waterson's investigation, several USA university and private librairies are mentioned including Emory University, Lilly Library, Harry Ransom Center, Houghton Library, Huntington Library, and Beinecke Library. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Antiquarian Book Review: Rare Book Review. No.370/Apr-May / Fogg S., 2007

 Item
Identifier: CC-46479-49208
Scope and Contents

Sandra Hinman reviews the exhibition at the Grolier Club that celebrates the history of minature books. Dealer Sam Fogg is interivews by B.T. Wolfe in an essay "You've Got to Keep Rolling the Dice." Tabitha Barda contirbutes and essay "Cats or Mouse?" that describes how the internet has revolutionized the rare book trade. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Antiquarian Book Review: Rare Book Review. No.371/Jun-Jul., 2007

 Item
Identifier: CC-46920-49656
Scope and Contents

Something for Everyone describes the breadth of the Grolier Club exhibitions and their catalogues. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Antiquarian Book Review: Rare Book Review. No.372/Aug-Sep / Vonnegut KJr ; Belanger T., 2007

 Item
Identifier: CC-47033-49771
Scope and Contents

This issue includes the bibliography of Kurt Vonnegut. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

Antiquarian Book Review: The Light Fantastic. Dec-Jan / Reese W ; Jackson R., 2002

 Item
Identifier: CC-40114-42083
Scope and Contents

This issue contains several essays on scientific books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Antiquarian Book Review: Under African Skies. Oct., 2002

 Item
Identifier: CC-39473-41429
Scope and Contents

This issue deals mainly with articles related to Africa, e.g., hieroglyphics, big game hunting. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

Antiquarian Book Review: Women Unbound. Mar / Reese W., 2003

 Item
Identifier: CC-40720-42694
Scope and Contents

This issue contains several essays on women's issues in literature and the art. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Apartamento. No.15/ Spring-Sum / Sackner MA ; Sackner RK., 2015

 Item
Identifier: CC-60436-10003368
Scope and Contents

Ruth and Mavin Sackner are featured in an illustrated interview written by Leah Singer. The article titled "It even has a name" contains 14 pages of text and apartment photographs tracing the history of the archival collection. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2015

Apollinaire and the International Avant-Garde / Bohn, Willard ; Albert-Birot P ; Breton A ; Cendrars B ; Delaunay S ; Duchamp M ; Huidobro V ; Lewis WP ; Mallarme S ; Marinetti FT ; Reverdy P ; Pound E ; Zukofsky L ; Ray M ; Aragon L ; Arp H ; Baudelaire C ; Boccioni U ; Brossa J ; Crotti J ; cummings ee ; Dante ; Ernst M ; Folgore L ; Ford CH ; Holz A ; Jacob M ; Jarry A ; Laforgue J ; Lagut I ; Nerval G ; Neuhuys P ; Picabia F ; Picasso P ; Rimbaud A ; Russolo L ; Salmon A ; Salvat-Papasseit J ; Scheerbart P ; Severini G ; Soupault P ; Tablada J ; Torre G ; Tzara T ; Whitman W ; Wood B ; Zayas M., 1997

 Item
Identifier: CC-27990-29142
Scope and Contents Dr. Bohn writes that this "study seeks to analyze Guillaume Apollinaire's literary and artistic reception by members of the European and American avant-gardes during the early twentieth century...tracing the impact of Apollinaire's ideas as they radiated outward in increasingly larger circles from Paris...limiting the period to 1920 in Europe and 1930 in Latin America...and restricting the study to the avant garde of the major European and American nations."Bohn reviews the close relation and influence of Apollinaire to Mario de Zayas, his "calligrammes" or concrete poems as they would be denoted today, in the periodical, 291. Further, he points out that Apollinaire was first recognized in America because of 291. This book is heavily slanted to the influence of Apollinaire on Spanish and Latin American poets. Indeed, Bohn lucidly reviews the works of some obscure (to Americans) Latin American visual poets like the Mexican, Juan Tablada. -- Source of annotation: Marvin or Ruth...
Dates: 1997