Critical text
Found in 3397 Collections and/or Records:
Vices of Mark Laba / curry, jw., 1997
Video Time - Video Space / Paik, Nam June ; Cage J ; Kaprow A ; Mekas J ; Ginsberg A ; Beuys J ; MacLow J ; Debord G., 1993
Edited by Toni Stross and Thomas Kellein, this book served as a catalogue for exhibitions in Basel and Zurich. -- Source of annotation: Marvin or Ruth Sackner.
Vie des Lettres, La: French Art from the Sackner Archive of Concrete and Visual Poetry / Regina Bailey, curator ; Apollinaire G ; Aubertin D ; Ben ; Blaine J ; Bory JF ; Chopin H ; Curtay JP ; Dautricourt J ; Dupont A ; Ernst M ; Heidsieck B ; Hubaut J ; Isou I ; Leger F ; Lemaitre M ; Mallarme S ; Sabatier R ; Satie A ; Wolman G., 1987
This catalogue has an introductory essay by Dick Higgins. This catalogue consists of French art/poetry lent by the Sackner Archive to a Bass museum exhibition on Miami Beach. -- Source of annotation: Marvin or Ruth Sackner.
Villegle / Villegle, Jacques ; Cabanas K ; Hains R ; Restany P ; Dufrene F ; Spoerri D ; Isou I ; Lemaitre M., 2007
Kaira Cabansas contributed a major essay titled " Poster Archeology" that traced the career, work and artistic milieu of Villegle and the New Realists. The book includes over 200 color illustrations of the artist's works and poems. Nicholas Bourriaud conducted an interview with Villegle and Francois Bon wrote about "Peeling Back the Layers of Time." -- Source of annotation: Marvin or Ruth Sackner.
Vincent Fitzgerald & Company 1981-1992 / Fitzgerald, Vincent ; Stein D ; Charriere G ; Weil S., 1992
Vine Art Portraits / Kunst-Kraft-Werk II / Noel, Ann ; Williams E., 2006
Emmet Williams writes in the forward, "Over the years, the artist [Ann Noel] accumulated a "vocabulary" of images printed from the inked ends of thousands of [wine] corks. The prints of the cork ends resemble wood cut prints in texture. For each print in the present selection, four enlarged cork images in different colours were superimposed over one another into a colored. background." -- Source of annotation: Marvin or Ruth Sackner.
Visible Invisible / Pignotti, Lamberto ; Michele Perfetti, curator ; Cavallina M., 1982
Visible Language: A Special Issue; An Annotated Design Research Bibliography: by and for the design community. No.2 / Sharon Helmer Poggenpohl, editor., 2002
Visible Language: After the Grave: Language and Materiality in Contemporary Art. No.1 / David Scott Armstrong, Patrick Mahon, editors ; Drucker J ; Ligon G ; Twombly C ; Bing X ; Brakhage S., 2008
Visible Language: Collaboration; User Studies; Design Methods; Design Research. No.2., 2004
This issue summarizes a meeting of an international group of designers who met in May 2003 at the Illinois Institute of Technology to discuss the four themes of the conference. The information is of a highly philosophical nature. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: Collaboration; User Studies; Design Methods; Design Research. No.3., 2004
This issue summarizes a meeting of an international group of designers who met in May 2003 at the Illinois Institute of Technology to discuss the four themes of the conference. The information is of a highly philosophical nature. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: Global interaction in design. No.2 / Audrey Grace Bennett, editor., 2010
Visible Language: Interactivity, Interconnectivity and Media. No.2 / Dietmar R. Winkler, editor ; Manguel A ; Poggenpohl S., 1997
Carries a review of Alberto Manguel's book, "A History of Reading." -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 1: Critiques. No.3/Jul / Andrew Blauvelt, editor ; Marinetti FT., 1994
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 2: Practices. No.4/Fall / Andrew Blauvelt, editor., 1994
The duplicate copy has printing errors. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language: New Perspectives: Critical Histories of Graphic Design: Part 3: Interpretations. No.1/Jul / Andrew Blauvelt, editor ; Lissitzky E ; Butler F., 1994
Teal Triggs contributes an essay on British small magazines (fanzines). She states that the term fanzine was first coined by Russ Chauvenet in the United States in 1941 to describe mimeographed publications devoted primarily to science fiction and super hero comic enthusiasts. Today, it has come to mean a periodical that embraces any subject faithful to the specific interests of the "fans." Frances Butler contributes an essay, "New Demotic Typography: The Search for New Indices." -- Source of annotation: Marvin or Ruth Sackner.
Visible Language. No.1., 2002
Visible Language. No.1/Win., 1996
This issue deals mainly with the background for Chinese and Japanese ideograms. -- Source of annotation: Marvin or Ruth Sackner.
Visible Language. No.1/Win., 1994
The cover illustration, an etching by Jeanine Coupe Ryding titled "Talking to Myself," consists of a figure surrounded by abstract mirror handwriting. -- Source of annotation: Marvin or Ruth Sackner.