This exhibition of artists' bookplates commemorates the 25th anniversay of Printworks. Susan Barron contributed a bookplate for the Biblical Moses and Claire Van Vliet one for Rachel Carson. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition explores how the accordion fold has been used in the West within a variety of different printed matter contexts with a special emphasis on publications produced by artists from the 1960s onwards. -- Source of annotation: Marvin or Ruth Sackner.

This periodical includes a page illustrating and describing the works of Diotallevi. -- Source of annotation: Marvin or Ruth Sackner.

Contains essays surveying schools of digital media education. Matthew Kirschenbaum contributes an essay on the William Blake digital archive at the University of Virginia. -- Source of annotation: Marvin or Ruth Sackner.

Contains essays covering innovations in digital art including artistic and cultural areas. This issue concentrates on the future of graphic and industrial design. -- Source of annotation: Marvin or Ruth Sackner.

There is a section of this book that consists of visual and concrete poems that are reproduced as photocopied black and white images. -- Source of annotation: Marvin or Ruth Sackner.

Most of the works in this exhibition date from the seventies. -- Source of annotation: Marvin or Ruth Sackner.

Baroni provides an in-depth discussion of mail art with sections dealing with submovements, e.g., assemblings, fluxus, xerox art, etc. and sections dealing with major figures, e.g., Ray Johnson, Robin Crozier, etc. He also mentions the Sackner Archive as a resource for mail art. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

This issue is devoted to works by Luther Blissett aka Vittore Baroni. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was curated by Helen Wright (the artist's wife) and David Mole. -- Source of annotation: Marvin or Ruth Sackner.

This issue has loose pages in an insert within the binding, is wrapped by the brassiere and paper tape that has been opened and is placed within the hard cover folder binding. There are a large number of erotic penis cartoons in the periodical. -- Source of annotation: Marvin or Ruth Sackner.