Critical text
Found in 277 Collections and/or Records:
An Introduction to the Theory and Practice of Letterist Painting As Exemplified in the Oeuvre of Maurice Lemaitre, 1976
The paper in this book was presented at the first International Symposium on Letterism. Mentions that James Joyce was Isou's earliest inspiration. This book is stored in a Lemaitre box. -- Source of annotation: Marvin or Ruth Sackner.
Angels of Fire II / Toff, Penelope, editor ; Silver, Jeremy, editor ; Claire P ; Fencott PC ; Cobbing B ; Edwards K ; Fisher R ; Griffiths B ; Fisher A., 1983
Apophatic Art, 1966
The number 9 is substituted for all the letters "n" of the words in this text. Curt Cloninger in his Master of Fine Arts in Studio Arts thesis wrote about (Maine College of Arts 2008) "Apophatic Art: Enacting Exhaustive Language / Exhausting Enacted Language." He defined Apophatic Writiing: Apophatic writing in the Christian tradition is a way of talking about God that seeks to properly revere him by not overly delimiting him. "Apophasis' is negation and "kataphasis' is affirmation. Since God is beyond all we can affirm about him, in order to more accurately describe him, we must balance our affirmations with reverent negations. Theologian Bruce Ellis Benson (2002) explains, "One affirms something but denies it, because to affirm it too strongly would be heretical and to deny it completely would also be heretical." -- Source of annotation: Marvin or Ruth Sackner.
Apparatus, 1981
Every Revolution Is a throw of the Dice by Daniele Huillet and Jean-Marie Straub describes the process of making "A Throw of the Dice..." by Mallarme into a film. Cha had a short life (1951-1982). She was murdered months after her marriage by a security guard in the Tuck Building NYC. -- Source of annotation: Marvin or Ruth Sackner.
Arranged Marriage, 1999
This is catalogue conceptualizing the marriage of Wallace Berman and Robert Watts, including a printed wedding invitation, illustrations from Semina by Berman, a reproduction on a typed letter from Berman to David Meltzer, correspondence art by Watts and a reproduction of a dollar bill by Watts. The book was designed by Jerry Lekky. -- Source of annotation: Marvin or Ruth Sackner.
Art As a Muscular Principle: 10 Artists and San Francisco 1950-1965, 1975
The cover photo is Wallace Berman's Portrait of Jay De Feo. -- Source of annotation: Marvin or Ruth Sackner.
Art Random, 1990
Artists' Books, Kunstlerbucher Buchobjekte, 1986
Contains statement by the artists on the definition of an Artist Book. This catalogue provides documentation of the artist's activities often accompanied by photographic reproductions. The quirky binding of this book, which in itself might be classified as an artist's book, make access to the pages difficult and time-consuming and therefore not a easily readable reference text. -- Source of annotation: Marvin or Ruth Sackner.
Aus Wortern eine Welt, 1981
The book comprises poems, stories, and texts dedicated to Heissenbuttel. -- Source of annotation: Marvin or Ruth Sackner.
Autologia: Poemas escolhidos 1951 - 1982, 1983
Fernando Segolin contributed a long introductory essay about de Melo e Castro's poems. The first concrete poems in Portugal appeared in 1962 in a book entitled "Ideogramas." -- Source of annotation: Marvin or Ruth Sackner.
Avant-testo , 2002
B Intervento: Capitolo Secondo, 1977
Text by Stelio Rescio. -- Source of annotation: Marvin or Ruth Sackner.
Balanco Da Bossa e Outras Bossas, 1978
Theme is bossa nova and contemporary music of Brazil. -- Source of annotation: Marvin or Ruth Sackner.
Baptismal Corruption in the Sunflower Patch, 1969
Thorne designed the cover and did the illustrations for this book. Don Cauble provided an introduction to the poems. The book was printed by Wally Depew. -- Source of annotation: Marvin or Ruth Sackner.
Belgium Fluxus, 1999
The concept and design were done by Picasso Gaglione and the text by John Held Jr. The latter wrote, "The three rubberstamps in this boxed set are an ongoing tribute to the influence of Fluxus and its spirit of collaboration among international cultural workers." -- Source of annotation: Marvin or Ruth Sackner.
Bilocations, 1985
The bookbinding is unique. -- Source of annotation: Marvin or Ruth Sackner.
Bismarckzeit, 1979
Brache di Gutenberg, Le: Storia: Mostra nazionale d'arte futurista (Catalogo): Aeropittura Arte Sacra Pittura Scultura Futuriste. No.5, 1984
Edited by Luciano Caruso and Sonia Puccetti. This is a reprint of a magazine published in 1932. -- Source of annotation: Marvin or Ruth Sackner.
Brache di Gutenberg, Le: Storia: Poesie futuriste. No.12 , 1990
This book was edited by Anna Maria Saludes. Series edited by Luciano Caruso and Sonia Puccetti. -- Source of annotation: Marvin or Ruth Sackner.
Cahiers George Perec, 1985
This book consists of essays on Perec and his work, e.g., Perec and Judaism, sexual aspects to his work, utopian ideas, etc. It also includes annotations and analysis of Perec's book, "Life: A User's Manual," photographic reproductions of manuscript pages, and notes for Perec's books. -- Source of annotation: Marvin or Ruth Sackner.
