Critical text

Australian Artists Books / Selenitsch, Alex, Editor ; Jacks R ; Parr M., 2008

Item

Identifier: CC-58502-10001722

Dates: 2008

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Catalogs (unprocessed)

Austrian Poetry Today / Holton, Milne, editor ; Kuhner, Herbert, editor ; Ruehm G ; Achleitner F ; Jandl E ; Mayrocker F ; Bayer K ; Schutting J ; Priessnitz R., 1985

Item

Identifier: CC-08993-9170

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Authentic/Ex-centric at the Venice Biennale / Hassan, Salah M.; Oguibe, Olu; Boshoff W; Koraichi R., 2001

Item

Identifier: CC-43242-45301

Scope and Contents

This review essay is subtitled African Conceptualism in Global Contexts and features the works of Willem Boshoff and Rachid Koraichi. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2001

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Various Formats(unprocessed)

Autocritica e Critica [1976-1997] / Pavanello, Giancarlo ; Spatola A ; Niccolai G ; Lora-Totino A ; Belloli C., 1999

Item

Identifier: CC-34543-36242

Dates: 1999

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Autologia: Poemas escolhidos 1951 - 1982, 1983

Item

Identifier: CC-38459-40365

Scope and Contents

Fernando Segolin contributed a long introductory essay about de Melo e Castro's poems. The first concrete poems in Portugal appeared in 1962 in a book entitled "Ideogramas." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1983

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry (processed) / BOOKS

Autoritratti Impertinenti Impertinents Selfportraits / Cavellini, Guglielmo Achille., 1985

Item

Identifier: CC-44592-46750

Dates: 1985

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Autour et detours du portrait, 2009

Item

Identifier: CC-49506-70552

Scope and Contents

Frederic Acquaviva contributes a preface in which he describes Satie's country house and the Lettrist art and furnishings. It is exactly as the Sackners remember the house and studio from their visit there about 1990. The theme of this book is Satie's portraits of artists who remained in the Lettrist movement. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Aux Trente-Deux Vents / Albert-Birot, Pierre ; Chopin H., 1970

Item

Identifier: CC-27125-27600

Scope and Contents

The forward was written by Henri Chopin. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1970

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Books (unprocessed)

Avant-Garde in Russia, 1910-1930, The: New Perspectives / Stephanie Barron, curator., 1981

Item

Identifier: CC-25353-25809

Scope and Contents

The book contains selected press coverage of the museum exhibition and reviews of the performance of "Victory over the Sun." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1981

Found in: The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry / Ruth and Marvin Sackner Archive of Concrete and Visual Poetry: Exhibit Catalogs(unprocessed)

Avant-testo , 2002

Item

Identifier: CC-46936-49673

Scope and Contents This book was published on the occasion of an exhibition of Irma Balnk at the Galleria Spaziotemperaneo di Milano in November 2002. In his essay Gillo Dorfles describes Irma Blank's techniques for the blue paintings. "Indeed the artist uses both hands to fill with signs the vast canvases and the series of polyester sheets, all realized with a wholly manual, or rather 'corporal' technique. In fact, holding a bunch of ball-point pens in each hand, and giving each of these a synchronous rotary movement from the edge towards the centre, in close correspondence with her respiration and heartbeats, she impresses on the surface of the canvas, of polyester sheet, skeins of bright, stratified colours that - as the writing proceeds - thicken until they cover the whole surface of the painting, while maintaining imperceptible openings between one line and another: this is, in a sense, the breathing (the einatmen, or inhalation, and ausatmen, or exhalation) of the colour." -- Source of...

Dates: 2002