Provides an illustrated description of Finlay's garden at Stonypath where he has lived since 1967. -- Source of annotation: Marvin or Ruth Sackner.

The main text of this book is followed by a section of 100 examples of pattern poems, each printed one to a page, that were written in Portugal between the 17th and 18th century. -- Source of annotation: Marvin or Ruth Sackner.

The author writes about the ideas in Smart's poetry, composed in the late 18th century, in relationship to contemporaneous writers in order to establish the significance and ambition of his poetry. Smart was confined to a mental institution during most of his poetic writings. Guest devotes a major portion of the book to an analysis of Smart's poem, "Jubilate Agno." One section of this poem deals with Smart's discussion of the Hebrew letter, lamed. -- Source of annotation: Marvin or Ruth Sackner.

This book deals with aspects of concrete poetry paying debt to Cobbing and other pioneers. Chris Jones' essay provides several definitions of concrete poetry, stating that "it is helpful to think of concrete poetry as being an umbrella term for those processes...who share a concern with text (words, letters, phonemes, signs) as their material." -- Source of annotation: Marvin or Ruth Sackner.

The work and publications of Claude Givaudan are reviewed. -- Source of annotation: Marvin or Ruth Sackner.

The author analyzes metaphors used by poets from the renaissance to Dylan Thomas. -- Source of annotation: Marvin or Ruth Sackner.

The hard cover book was published in 1978; the first printing of this soft cover edition was issued in 1980. -- Source of annotation: Marvin or Ruth Sackner.

Catalog for the exhibition is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The author recounts the 6000 year old history of reading in an approachable and illuminiating style that is easily understood, tracing "the reader's progress from clay tablet to scroll, codex to CD-Rom." A timeline of reading history is printed on the verso of the dust jacket. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was edited by Rene Morales, curator at the PAMM museum, for the exhibition at the museum opening in the first week of December 2013. Johanna Drucker contributed in depth essay titled "Visual Poetics and the Technics of Conception." Rene Morales contributed "Imaged Words, Worded Images: A conversation with Ruth and Marvin Sackner." The contibutors cited consist of only those whose work is depicted in this catalogue. The image on the dust jacket was done by Jeremy Adler, the frontispiece by Tom Phillips and the end papers by Willem Boshoff. -- Source of annotation: Marvin or Ruth Sackner.

This catalogue was edited by Rene Morales, curator at the PAMM museum, for the exhibition at the museum opening in the first week of December 2013. Johanna Drucker contributed in depth essay titled "Visual Poetics and the Technics of Conception." Rene Morales contributed "Imaged Words, Worded Images: A conversation with Ruth and Marvin Sackner." The contibutors cited consist of only those whose work is depicted in this catalogue. The image on the dust jacket was done by Jeremy Adler, the frontispiece by Tom Phillips and the end papers by Willem Boshoff. -- Source of annotation: Marvin or Ruth Sackner.

This book was published on the occasion of Cage's 70th birthday. -- Source of annotation: Marvin or Ruth Sackner.

Exhibition was curated by Betty Bright. -- Source of annotation: Marvin or Ruth Sackner.

The Horn-Book was the earliest lesson-book made for children to use themselves. -- Source of annotation: Marvin or Ruth Sackner.