Several page of this book reproduce published and unpublished concrete and visual poems. -- Source of annotation: Marvin or Ruth Sackner.

It is mentioned that Gordon's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition by Lora-Totino consisted of 48 works, one depicted on each page. -- Source of annotation: Marvin or Ruth Sackner.

The catalogue consists of photographs of pairs of hands and multiple pairs of hands, at times with accompanying text. -- Source of annotation: Marvin or Ruth Sackner.

dsh analyzes the sound poems of Cobbing and Jandl as well as making comparisons to Zen. -- Source of annotation: Marvin or Ruth Sackner.

Each of four quadrants of the translucent print are handwritten explanations of Kabbalah. This overlies the second print which consists of three vertical color fields, the outer two are gilded and the center is a muted gold. -- Source of annotation: Marvin or Ruth Sackner.

This work is a pataphysical, political analysis of the typewriter keyboard as related to the sonnets of Shakespeare. -- Source of annotation: Marvin or Ruth Sackner.

This book which was first published in 1972 consists of a panel discussion on concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

This book has a very dense text about Isou's philosophy without illustrations. -- Source of annotation: Marvin or Ruth Sackner.

Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. The book also reproduces photographs and maquettes of original furniture by Satie. -- Source of annotation: Marvin or Ruth Sackner.

The book reproduces photographs and maquettes of original furniture by Satie. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Chopin provides the basis for sound poetry -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut and in the last section, the pages are out of order. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner.

Pages are uncut. This copy includes one drawing by Lemaitre and two drawings by Altmann in the beginning of the book that were added to the pages after its publication. The edition of 10 copies of the special limited edition (not held by the Sackner Archive) included four watercolors by Altmann. -- Source of annotation: Marvin or Ruth Sackner. Edition has glassine protective cover.

This is an attack on the writers of the "new" novel by Isou. The watercolor was done by Lemaitre. The ordinary edition is Lettrisme No.17. -- Source of annotation: Marvin or Ruth Sackner.