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Critical text

 Subject
Subject Source: Sackner Database

Found in 275 Collections and/or Records:

Medien, Kunst: Medienkunst, 1976

 Item — Box 614: [Barcode: 31858072461001]
Identifier: CC-37518-39374
Scope and Contents

The newspaper article is subtitled: "1. Teil: Subjektive Uberlegungen zur Verwenung vieler verschiedener Medien in der literarischen und kunstlerischen Praxis von heute / Von Ferdinand Kriwet."

Dates: 1976

Mercato Del Sale: Poesia Visiva: Un No Alla Poesia. Oct / Luciano Ori., 1975

 Item
Identifier: CC-37764-39643
Scope and Contents

In the duplicate of this work, the print is inscribed 'prove/ d'stampe." The same print in this folder was also printed with large white borders and signed in an edition of 100 copies; the latter is held by the Sackner Archive and catalogued under the artist's name. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1975

Metalinguagem, 1976

 Item
Identifier: CC-14898-15211
Scope and Contents

This is the 3rd edition. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1976

Múltiples, No. 2: La Eternidad es el Instante, 2000

 Item — Box 169: [Barcode: 31858072458312]
Identifier: CC-38541-40449
Scope and Contents

This assembling was made to coincide with the exhibition "Muestra de libros de artista" at the 26th Internacional del Libro de Buenos Aires meeting. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Nature Over Again: The Garden Art of Ian Hamilton Finlay, 2008

 Item
Identifier: CC-49194-70235
Scope and Contents In this book, with many beautiful pictures of Finlay's international gardens and picture and concrete poetic works, Professor Hunt "isolates Finlay's garden art, in all of its different manifestations, and bring to it my own longstanding concerns with the history and theory of garden-making or landscape architecture. This meant, certainly, tracking the garden imagination and inventions back to some of Finlay's early non-garden art, but it also required that the essay begin with the gardens and landscapes themselves , n their own right, and only then invoke Finlay's rich and prolific writing and book production as aids to understanding hos he envisaged the making of gardens in the contemporary world." Dr. Hunt visited the Sackner Archive for parts of his research and acknowledged that "this book could not have been published without recourse to the superb Finlay collections of Marvin and Ruth Sackner, and I thank them for their kind agreement to let me reproduce materials [12...
Dates: 2008

Notions and Notations / Cobbing, Bob; Furnival J; Houedard DS; Cox K; Claire K; Claire P; Williams E., 1979

 Item — Box 385: [Barcode: 31858072461506]
Identifier: CC-17596-17963
Scope and Contents

Cobbing concludes in this essay, visual (concrete) poetry can be heard, smelt, has colours, vibrations whereas sound poetry dances, tastes, has shape. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Novas Selected Writings [Edited and with an introduction by Antonio Sergio Bessa and Odile Cisneros; Forward by Doland Greene], 2007

 Item
Identifier: CC-49157-70197
Scope and Contents Amazzon.com: This is the first full-scale English translation of one of Brazil's-and the world's-most influential avant-garde literary voices. A generous introduction to one of the key literary figures to emerge from Brazil in the second half of the twentieth century, this book offers English-speaking readers an ample selection of this prodigious writer's celebrated poetry and widely influential critical work. As a poet and as a cofounder of the renowned group Noigandres, Haroldo de Campos has made a unique and substantial contribution to the theory and practice of experimental writing, particularly the form known as concrete poetry, and to the Latin American avant-garde as a whole. These contributions, acclaimed worldwide by figures such as Umberto Eco, Jacques Derrida, Octavio Paz, and Guillermo Cabrera Infante, can be observed unfolding here, first in poetry selections ranging from de Campos' early work before concretism through his most recent production; then in theoretical...
Dates: 2007

Obras / Works 1976 - 2008, 2008

 Item
Identifier: CC-49614-70665
Scope and Contents

The Sackner Archive held the original drawing (donated to PAMM) for the photocopied print depicted from the drawing "P4R" in this catalogue on page 75. In an interview of Ferrari, it is mentioned that he has recently began to produce limited editioned high quality photocopies and heliograph copies of his original drawings. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Oeuvres poetiques 1 1950-1968: Poemes choisis Proses Autres poemes, 2008

 Item
Identifier: CC-54272-643161
Scope and Contents

Lucien Wasselin contributed the preface to this book that consists of the reprinting of Garnier's published works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008

Oeuvres poetiques 2 1968-1988, 2009

 Item
Identifier: CC-54273-643162
Scope and Contents

Martial Lengelle contributed the preface to this book that consisted of a review of different types of concrete and visual poetry. The second half of the book reprints several of Garnier's published works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2009

Oltre Il Libro Beyond Books, 2011

 Item
Identifier: CC-54245-431432
Scope and Contents

This is a profusely illustrated book that covers the intense activity of Boetti as both a typesetter and director of his works. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Origins of British Experimental Poetry / Cobbing, Bob; Gomringer E; Houedard DS; Finlay IH; Morgan E; deMelo e Castro EM; Garnier P; Chopin H; Novak L; Fahlstrom O; Cox K; Williams J; Edmonds T., 1973

 Item — Box 393: [Barcode: 31858072461571]
Identifier: CC-17671-18039
Scope and Contents

Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1973