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Critical text

 Subject
Subject Source: Sackner Database

Found in 182 Collections and/or Records:

Stati d'Animo Disegnati , 1991

 Item
Identifier: CC-02344-2384
Scope and Contents

This is a reprint of the book first published in 1923. Luciano Caruso provides a critical essay. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

Station Mir: Multimedia Interactive Research, 1998

 Item
Identifier: CC-31259-32729
Scope and Contents

This book documents performances and exhibitions of Station Mir. This was was a multimedia research and creative laboratory, created by David Dronet and Stephano Zanini in 1994, which enabled artists and technicians to develop personal research projects. Joel Hubaut added drawings to this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1998

Stommeln Synagogue, 1997

 Item — Box 317: [Barcode: 31858072490844]
Identifier: CC-29743-31120
Scope and Contents

The concrete poem on the title page reads, "The void enclosed by the squares of three four and five." The poem is also reproduced on the back cover in a different shape. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Subduing Demons in America: Selected Poems 1962-2007, 2008

 Item
Identifier: CC-49491-70537
Scope and Contents Marcus Boon, who edited this book writes, Giorno's late-1960s poems see him expanding the use of found materials, including pornographic and countercultural texts, as well as the use of repetition. Indeed, poems like "Capsule," "Give It to Me, Baby," and "Johnny Guitar" are among the most rock 'n' roll poems ever written, every bit as psychedelic and confrontational as The Stooges or Jefferson Airplane, and probably just as much the product of a wide-ranging armory of pharmaceuticals, which, as Giorno has repeatedly insisted, have the potential to open and expand the mind and bring bliss. Balling Buddha, a multicolor confection printed on pages in the six colors of the rainbow, rather than traditional black on white, introduced Giorno's signature split lines running down the center of each page-as a way of both reproducing the multitracking used in his sound poems and perturbing the linear flow of text on the page. Giorno observes that the split line "breaks the lineal flow....
Dates: 2008

Sweet Dreams; contemporary art and complicity, 2005

 Item
Identifier: CC-48338-69363
Scope and Contents From the inside flap of the book: Johanna Drucker's "sweet dream" is for a new and more positive approach to contemporary art. Drucker argues that contemporary art is fully engaged with material culture"”yet still struggling to escape the oppositional legacy of the early-twentieth-century avant-garde. She calls for a revamping of the critical vocabulary used to discuss art into one more befitting current creative practices.Drucker shows that artists today are aware of working within the ideologies of mainstream culture and have replaced avant-garde resistance with acknowledged complicity. Finding their materials at malls and superstores or exploring celebrity culture, contemporary artists have created a vibrantly playful attitude towards mass culture"”all while critics continue to cling to an outmoded vocabulary of opposition and radical negativity that defined modernism's avant-garde. At the cutting edge of new media research, Drucker surveys a wide range of exciting contemporary...
Dates: 2005

Tarocco Meccanico, 1990

 Item
Identifier: CC-38492-40400
Scope and Contents

This book is also designated Supplement No.1 of the 4th series of Altri Termini. It is a score for a "sound novel" (rather than a sound poem) first performed in 1972. The drawing adjacent to Fontana's signature is an abstract depiction of musical notation. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

The Arts of Alasdair Gray, 1991

 Item
Identifier: CC-33910-35582
Scope and Contents

This book consists of 12 critical texts about the life, art, and literary works by Gray as compiled and edited by Robert Crawford and Thom Nairn. The facing page of the title page depicts a self portrait drawing by Gray rendered in visual poet terms. Four paintings are also reproduced as plates in addition to small drawings scattered throughout the book. There is marginalia from the previous owner -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1991

The Buddhist Third Class Junkmail Oracle: The Art and Poetry of d.a. levy, 1999

 Item
Identifier: CC-32703-34290
Scope and Contents

In the introduction, Golden writes about levy's "The North American Book of the Dead." He states that "this is not only a major epic spiritual hymn, it is one of, if not the major post-modern shamanistic-poetic vision of America written this century. Read it straight through and levy will take you on a trip through not just the times he lived in, but through all time. He was, first and foremost, a writer of space, yet as visionary as his voice was, to this point he has been recognized primarily as a writer of place.' And that place was Cleveland. Golden also contributed an essay, "Portrait of a Young Man Trying to Eat the Sun." There are eight colored photographic reproductions of levy's collages in this book. The collage reproduced on page 99 is held by the Sackner Archive. In addition, several works from the Sackner Archive are reproduced in this book. This book is stored near the d.a. levy material. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

The Chronicles of Akhira, 1986

 Item
Identifier: CC-58746-10001982
Scope and Contents Karl Kempton dedicated his 12 typoglifs in this volume to the poet-author Abd al-Hayy Moore, "bringing together sacred visual expression from around the world and wedding it to like-minded expression of the Native American Peoples, primarily of the Southwest and Central Coast of California." This book is stored in Lempton's box.Internet: Moore was born in 1940 in Oakland, California, his first book of poems, Dawn Visions, was published by Lawrence Ferlinghetti of City Lights Books, San Francisco, in 1964. In 1972 his second book, Burnt Heart, Ode to the War Dead, was also published by City Lights. He was the winner of the Ina Coolbrith Award for poetry and the James D. Phelan Award for the manuscript of poems in progress that became Dawn Visions. From 1966 to 1969, Mr. Moore wrote and directed ritual theatre for his Floating Lotus Magic Opera Company in Berkeley, California.When he became a Muslim in 1970, he took the name Abd al-Hayy, and began traveling extensively in Europe and...
Dates: 1986

The Cow Jumped over the Moon: The Writing and Reading of Poetry, 1972

 Item
Identifier: CC-21115-21524
Scope and Contents

Most of this book is presented as an interview of Birney. The is one concrete poem example in this book dealing with autobiography and critical analysis of poetry. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1972

The Dance of the Intellect: Studies in the Poetry of the Pound Tradition, 1996

 Item
Identifier: CC-30128-31526
Scope and Contents

This book consists of a reprinting of ten essays written for specific occasions that were published between 1981 and 1984. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

The End of Words, Selected Works, 1990

 Item
Identifier: CC-07817-7970
Scope and Contents

The bookbinding was done by Jane Rollo. Each copy is virtually unique since collages were made adhering a limited number of the defective printed pages onto the pagea of the printed book. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

The Future Dictionary of America, 2004

 Item
Identifier: CC-60584-10003480
Scope and Contents

An unprecedented book - CD package to benefit progressive causes featuring over 200 of America's best writers, artists & musicians. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004