Critical text
Found in 277 Collections and/or Records:
Origins of British Experimental Poetry / Cobbing, Bob; Gomringer E; Houedard DS; Finlay IH; Morgan E; deMelo e Castro EM; Garnier P; Chopin H; Novak L; Fahlstrom O; Cox K; Williams J; Edmonds T., 1973
Cobbing discusses the early concrete poems of Ian Hamilton Finlay, John Furnival, Kenelm Cox, Dom Sylvester Houedard, and Tom Edmonds in depth. This essay is unbpubished. -- Source of annotation: Marvin or Ruth Sackner.
Oyvind Fahlstrom, 1979
Includes Fahlstrom's manifesto for concrete poetry (1953). *WEB 1998: Sharon Avery-Fahlstrom Executrix, Estate of Oyvind Fahlstrom commented that the principal contributor to this catalogue was Oyvind Fahlstrom. -- Source of annotation: Marvin or Ruth Sackner.
Oyvind Fahlstrom, 1980
This catalogue is almost identical to the one published for the Modern Museet exhibition except that the text is written in French. -- Source of annotation: Marvin or Ruth Sackner.
Painting, 1996
Pavel Babenko was the father of the visual poet, Dmitry Babenko. -- Source of annotation: Marvin or Ruth Sackner.
Panorama Do Finnegans Wake, 1971
Paul Valery: A Serpente Eo Pensar, 1984
People Speak, 1994
Piecemeal Part Eight, 1989
Concluding essay by Harry Polkinhorn on Guy Beining's eight books. -- Source of annotation: Marvin or Ruth Sackner.
Pittura Tecnologica / Poesia Visiva, 1975
Plastique, 2009
Po-Ex: Textos Teoricos e Documentos da Poesia Experimental Portuguesa, 1979
A table of chronology of Portuguese concrete poetry included in this book indicates that it began in 1962 with publication of de Melo e Castro's book, "Ideogramas." The book reprints texts and correspondence from the early days of concrete poetry in Portugal. -- Source of annotation: Marvin or Ruth Sackner.
poems about something & nothing, 2015
Poesia 1958-1978, 1980
Poesia, Antipoesia, Antropofagia, 1978
Poesia Visiva, 1978
poesia visiva, 1974
Poeta Visual, 1998
Victoria Combalia writes in her essay The Disturbing Objects of Joan Brossa that "certain themes on Brossa's work are easily recognized as 'Brossian': masks, letters of the alphabet, ordinary objects from daily life, playing cards...Perhaps the most important motif - or at the least the most utilized - by Brossa are letters of the alphabet. Brossa works with them as Cezanne did with his apples; he uses them in every way and in all places, as they are for him his dearest motif." In terms of his visual poetry, Combalia states that it "belongs to the long tradition of experimental poetry, in the line that goes from Mallarme to concrete poetry." -- Source of annotation: Marvin or Ruth Sackner.
Poetic License: Essays on Modernist and Postmodernist Lyric , 1990
poezien, 1971
This book depicts an sampling of De Vree's poetic styles. Two original typed pages held by the Sackner Archive are reproduced in this book, "mier mens" page 17 and "picnic" page 25. -- Source of annotation: Marvin or Ruth Sackner.
poezja konkretna / concrete poetry, 2000
Critical essays on Finlay's work and specific poems are provided by Piotr Rypson and Tadeusz Slawek, respectively. The illustrations in this catalogue depict prints and cards of Finlay's work. -- Source of annotation: Marvin or Ruth Sackner.