Scope and Contents On page 52 and 53 a hologram "Adrift" (1991) by Kac is acknowledged and illustrated to be in the collection of the Sackner Archive. In another publication Kac has described this work, "Adrift is composed basically of seven words that dissolve in space and into each other as the viewer reads them. In one case, the reader may be invited to start reading from the letter which is further away from him or her. In another case, the letter closer to the reader could be the starting point. The letters that make the words are floating irregularly along several Z axes, except for the word 'breathe', which is integrated into the overall light field. This word is blown by an imaginary wind as its letters actually move away from their original position to dissolve the light field. The movement of the letters in this word disrupts the apparent stability of the other words."This book is divided into sections titled Holopoetry, Digital Poetry, Biopoetry and Space Poetry. -- Source of annotation:...

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Mention is made that Goldstein's work is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is listed as holding the work of Waanders. This book was published on commemoration of an exhibition held on the life of Hans Waanders (1951-2001). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This book was published to accompany the exhibition at the Bodleian Library from June through October 2007. "Celebrated in Italy as the 'Tre Corone' (the 'Three Crowns'), Dante, Petrarch, and Boccaccio have exerted an immense influence over Western culture...Dante especially, as author of the Divine Comedy, was conspicuous in all aspects of life, from the university classroom to the pulpit, and from the workshops of book-producers to the street...During the last two hundred years there has been an extraordinary revival of British interest in Dante...Even today, Dante's presence in our culture is far-reaching. The contemporary artist, Tom Phillips, reflects on how his own visual work fits into this centuries-old tradition of Dante illustration and scholarship, bringing us up to modern times." Phillips' essay is titled "Hershey Heaven and Dante's Hell." In it, Phillips traces the story of his work through trial and tragedy to publish his book. The essay is illustrated with several...

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Lists works as contained in the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This is an essay written for an exhibition of Ken Friedman's illustrations of two books, viz., Ernest Robson's "Thomas Onetwo" and Dick Higgins' "The Epickall Quest of the Brothers Dichtung." Stored with Ken Friedman material. -- Source of annotation: Marvin or Ruth Sackner.

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Ruth Sackner delivered this lecture at the opening of Bob Cobbing's Exhibition "Make Perhaps this Out Sense Of Can You." It focused on the relation of Mathew Abess, the curator of the exhibition and the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

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Page 50, plate 44, depicts Wingbook, an artist book in edition of 12 that is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

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This exhibition featured sculptures from found objects, paintings, rubberstamped works and stamp art. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive lent two of Ely's books to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue was published for the exhibition on the work of the British poet, Bob Cobbing. The exhibition was curated by Matthew Abess who was the scholar in residence at the Sackner Archive during the summer of 2006 between his sophomore and junior years at the University of Pennsylvania. He also wrote the catalogue essay and organized a symposium at the Kelly Writers House with Maggie O'Sullivan and cris cheek, compatriates of Bob Cobbing, participating in the event along with Charles Bernstein and Marvin Sackner. All the Cobbing material for the exhibition came from the Sackner Archive. The three copies in the Sackner Archive will be considered varient copies as the final few pages were poorly printed. Marvin Sackner advised the attendees to hold on to these copies as special before a more perfect version is reprinted. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue was published for the exhibition of works of Bob Cobbing selected from the Sackner Archive. The curator, Matthew Abess, SAS '08, was an intern in the Archive during the summer of 2006 when he researched the material for this exhibition. In addition to writing an in-depth catalogue essay, Matthew Abess organized recorded sound poetry readings on multiple head phones in the gallery, and planned a seminar with cris cheek and Maggie O'Sullivan at the Writers House. This is the second printing of the catalogue with the pages evenly printed throughout. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue was published for the exhibition of works of Bob Cobbing selected from the Sackner Archive. The curator, Matthew Abess, SAS '08, was an intern in the Archive during the summer of 2006 when he researched the material for this exhibition. In addition to writing an in-depth catalogue essay, Matthew Abess organized recorded sound poetry readings on multiple head phones in the gallery, and planned a seminar with cris cheek and Maggie O'Sullivan at the Writers House. Since the printing was faded in various parts of sentences on the last pages, Marvin Sackner pointed out that this should be considered a varient and was reminiscent of Cobbing's photoduplicator books. The catalogue was subsequently reprinted appropriately. -- Source of annotation: Marvin or Ruth Sackner.

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One half of this publication is devoted to Trans/Prose, the musical production based on the text of La Prose du Transsiberien et de la petite Jehanne de France by Sonia Delaunay and Blais Cendrars. The original score is by Matthew Suttor and the libretto is by Timothy Young. The latter mentions in his forward that the original copy of La prose in the Beinecke Library had been in the collection of Marvin and Ruth Sackner. Trans/Prose is to be performed at Yale in 2008. The second part of the book serves as the catalogue for two exhibitions and a conference related to poetry, art and the book. The icons on the "bookmark appear throughout the exhibitions to call attention to the thematic relationships between books featured in both exhibitions." This work is stored with Delaunay & Cendrars' facsimile of the "Transsiberian Railway." -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is listed under Archives and Centers of Documentation holding Gini's works. -- Source of annotation: Marvin or Ruth Sackner.

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The Sackner Archive is listed under Archives and Centers of Documentation holding Gini's works. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The Foreword was written by Renee Reise Hubert & Judd D. Hubert. Amazon.com commented: "This important history of the artist's book, a flourishing form which over the years has often been greeted with confusion by critics, collectors, historians, and artists, aims to spell out its role in contemporary art and to claim for it a vital and heretofore unacknowledged status since the blossoming of the artform in the 70s. Renowned scholar and curator Betty Bright takes an inclusive view of the varied field in order to redress its marginalization, identifying three distinct types: the fine press book, the deluxe book, and the bookwork. She covers crucial supporters of the form, like New York's Center for Book Arts, Franklin Furnace, and the Visual Studies Workshop Press in Rochester, New York, as well as key organizations and figures in Chicago, Atlanta, San Francisco, and Los Angeles. Bright examines how artist's books have responded to specific movements, such as Pop, Fluxus, and...

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The Sackner Archive is listed as containing Alicja Werbachowska's work. The letter accompanying the catalogue from Galeria Wit was written in appreciation. -- Source of annotation: Marvin or Ruth Sackner.

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Press release (loose sheet) mentions that Friedman's work is held by the Sackners. The drawings were made for Higgins' "The Epickall Quest of the Brothers Dichtung and other Outrages." -- Source of annotation: Marvin or Ruth Sackner.