Critical text
Subject Source: Sackner Database
Found in 265 Collections and/or Records:
Una Selva Oscura: Tom Phillips's Inferno, 1997
une anthologie poetique precede de RH l'optophoniste par isabelle maunet-salliet, 2007
The compact disc includes Hausmann's readings of 1) RLQS, 2) Phonemes, 3) Interview avec les Lettristes, and 4) Sound-Reel. The original score of the latter is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled] , 1982
This catalogue was edited by Jiri Valoch. -- Source of annotation: Marvin or Ruth Sackner.
[Untitled Exhibit Catalog] , 1975
The theme of the work is wooden matches and match boxes. -- Source of annotation: Marvin or Ruth Sackner.
verbi visi voco; a performance of poetry , 1992
This is the 500th Writers Forum publication that selectively reproduces pages from the previous publications of the press. Jennifer Pike is also known as Jennifer Cobbing. It was reprinted in 2003 by Edition Selene. -- Source of annotation: Marvin or Ruth Sackner.
Vestiges ou Vertiges?, 2000
This catalogue includes pages depicting and documenting the fire flies of Surinam. -- Source of annotation: Marvin or Ruth Sackner.
Visual Poetry in Ukrainian Literature, 1994
Vrh Kostek: ceska experimentali poezie, 1993
Consists of an anthology of the works by 12 Czechoslovakian concrete poets from the sixties and seventies. -- Source of annotation: Marvin or Ruth Sackner.
War and Peace in the Global Village, 1968
This is the first edition of this text by the authors of "The Medium is the Massage." It brings together all forms of conflict, political, racial, and religious, into meaningful perspective. It offers ideas and an understanding essential to the "electric age." The ideas presented in this book seem to forecast the information age and even the advent of the Internet. The text is combined with multiple black and white images and includes many relevant quotations in the margins from James Joyce's "Finnagan's Wake." -- Source of annotation: Marvin or Ruth Sackner.
Water from the Mountains of Light, 1995
This book does not include any of Kempton's signature typewriter glyphs. The theme deals mainly with preservation of the environment. This edition is one of 25 copies handbound and signed by Kempton for individuals who helped to support its publication. The Sackners were among that group and are so mentioned. -- Source of annotation: Marvin or Ruth Sackner.
Werkstatt Breitenbrunn: Druck Materialen 1970-1978, 1978
Wood Notes Wild: Essays on the Poetry and Art of Ian Hamilton Finlay, 1995
The prior published essays in this book, edited by Ian Hamilton Finlay's son, present a comprehensive survey of his father's poetry and art, from 1958 to 1995. -- Source of annotation: Marvin or Ruth Sackner.
Wording the Silent Art: Essays and Writings , 2001
Amazon.com: Wording the Silent Art collects Barbara Caruso's essays on the contemporary art scene, including controversial issues like the National Gallery's purchase of Barnett Newman's Voice of Fire and the recent transformation of public galleries from institutions of preservation to places of pop entertainment and the effect this has on art. She also writes with elegance and verve on the subject of her own painting, on painting practice, and on how to look at visual art. Her generous and wise advice to a young painter is worth the price of this book alone. Caruso's is a unitary, clear, communicating voice, and she brings to the reader a marvellous and accessible vision of the essential nature of art in our lives. -- Source of annotation: Marvin or Ruth Sackner.
Works In Europe 1972-1995, 1995
This publication which was edited by Zdenek Felix and Pia Simig was published on the occasion of Finlay's exhibition entitled Works - Pure and Political at Diechtorhallen, Hamburg Germany in 1995. Includes photographs b&w of Finlay's sculptural works, documentation on their significance, and a listing of his collaborators. Archival material forming the basis for several of these works is held by the Sackner Archive, e.g., Max Plank Institute, Stuttgart (1972). -- Source of annotation: Marvin or Ruth Sackner.
World Visual Poetry, 1999
There is a brief, very informative abstract in English at the beginning of the book. The book is divided into three chapters, viz., 1) Evolution of visual poetry to the 20th century, 2) Contemporary visual poetry of the 20th century, and 3) Evolution of Ukrainian visual poetry in a world context. A photograph of Soroka flanked by Dick Higgins and Marvin Sackner taken at the EyeRhymes visual conference at Edmonton, Canada 1997 is reproduced. Marvin Sackner is characterized as "the owner of the biggest archive of visual poetry."The book depicts more than 20 examples in the Old Ukrainian language and 49 examples in many national literatures. -- Source of annotation: Marvin or Ruth Sackner.
