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Dada

 Subject
Subject Source: Sackner Database

Found in 12 Collections and/or Records:

[According to Man Ray...] / Bill Gaglione, aka Picasso Gaglione; M Duchamp; M Ray., 2011

 Item
Identifier: CC-52910-74049
Scope and Contents

The rubberstamp reads as follows: According to Man Ray Lydie became so annoyed by Duchamps stayng up very late to study chess problems that one night after he had finally gone to sleep she got up and glued the chess pieces to the board.The card states that Duchamp married Lydia Levasso on June 7, 1927 and divorced on January 25,1928. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

[According to Man Ray...] / Bill Gaglione, aka Picasso Gaglione; M Duchamp; M Ray., 2011

 Item
Identifier: CC-52910-74049
Scope and Contents

The rubberstamp reads as follows: According to Man Ray Lydie became so annoyed by Duchamps stayng up very late to study chess problems that one night after he had finally gone to sleep she got up and glued the chess pieces to the board.The card states that Duchamp married Lydia Levasso on June 7, 1927 and divorced on January 25,1928. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2011

Making Mischief: Dada Invades New York / Crotti J ; Duchamp M ; Picabia F ; Ray M ; Roche J ; DeZayas M ; Apollinaire G ; Schwitters K ; Watson S., 1996

 Item
Identifier: CC-27598-28675
Scope and Contents In the words of David A. Ross, director of the Whitney Museum, "This exhibition proposes that as important as Dada was to the growth of American modernism, the ferment of New York played an equally critical role in the continuing evolution of Dada itself." He points out that even though Dada evolved in Zurich and Berlin, few immigrant notions were more quickly or deeply absorbed into American culture, because "American art, like America itself in the beginning of the century, was experiencing an analogous social, intellectual, and moral transformation, and the spirit and purpose of Dada provided a much needed catalyst." The Dada activity in New York centered around the Arensbergs, Duchamp, Picabia and Man Ray. When asked to define Dada, Man Ray echoed the words of Tristan Tzara and said that Dada was a state of mind. Unlike the artists in Europe, the Dadists in New York were driven by a conscious sense of irony, amusement, and genuine sense of humor. Selected chapters of this...
Dates: 1996

Photography / Sims Reed ; Steiglitz A ; Bellmer H ; Beuys J ; Dine J ; Ray M ; Sabatier R ; Paolozzi E ; Heartfeld J., 2005

 Item
Identifier: CC-43996-46109
Scope and Contents

A deluxe run of 291 is offered at $110,000. Issues No.10-11 and No.12 are ordinary - these issues were never printed as deluxe copies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005