The fragmented concrete poems in this book are reminiscent of those by Adriano Spatola. The cover was made by Coco Gordon. -- Source of annotation: Marvin or Ruth Sackner.

The page consists of three separate geometric cubes described by Houedard as "from a series of battledores: poems constructed from complete alphabets." Handwritten documentation next to the upper cube states "suggest using 3 different weights all lower case" and the cube does illustrate three different pressures on the typewriter.The two lower cubes are made with red dots. The left one is for vowels and the right one is for consents. Battledore is a badmitten racket. -- Source of annotation: Marvin or Ruth Sackner.

Tafte writes,"The principles of analytical design are universal - like mathematics, the laws of Nature, the deep structure of language - and are not tied to any particular language, culture, style , century, gender, or technology of informtion display. As a result, our examples are widely distributed in space and time: the illustrations come from 14 centuries, 16 countries, (Italy and France, especially) 3 planets, and the innumerable stars. From the illustrations, it is difficult to idnetify what place or time this book is from, which is the point."Ad Reinhardt's "How to Look at Modern Art in America" and Mark Lombardi's "Global Networks" depicted in part in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of self-selected book bibliographies and formats from 149 contributors from United Kingdom, United States, and France. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this book deals with human-induced hazards of our environment. -- Source of annotation: Marvin or Ruth Sackner.

The catalog documents a multimedia installation that features Hubaut's rabbit and impossible machine themes. -- Source of annotation: Marvin or Ruth Sackner.

Organized by Silvie Turner and Ian Tyson who co-authored the catalog essay which discusses T. Phillips' "Dante's Inferno," held by the Sackner Archive. Ron King's "White Alphabet" and JoE Tilson's "Alchera," are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Explains the process of numerical deduction of Gematria to produce Aleph numbers, e.g., assign a value of 1 to A, 2 to B, 3 to C, etc. GOD = 7 + 15 + 4 = 26; MAN = 13 + 1 + 14 = 28; EARTH = 52 and DEVIL = 52. Words of similar numerical values tend to be explanatory of each other. Temura relates to permutations or anagrams, viz., DEVIL = 52 = LIVED. The book of Tarot is a deck of 78 cards that is often combined with Kabbalah to express all laws of Man, God and the Universe and also has Tarot numbe -- Source of annotation: Marvin or Ruth Sackner.

Paul Sharits died in 1993 at the age of 50 years. This drawing was exhibited at the Paul Sharits show held at Greene Naftali gallery 2009. -- Source of annotation: Marvin or Ruth Sackner.

The September page designed by Asa Benveniste depicts a grid of 15 Hebrew 'hey's and two 'yod's' as a metaphor for the 17 syllable Japanese Haiku poetic structure. -- Source of annotation: Marvin or Ruth Sackner.

The drawing depicts a bomb with names of real and imagined soldiers surrounding it. -- Source of annotation: Marvin or Ruth Sackner.

The verso of the card is Steen's offset poem "the poem begins here." The message from Steen to Williams deals with the time of arrival in New York from a Copenhagen flight. -- Source of annotation: Marvin or Ruth Sackner.

Designed by Toshihiro Katayama. -- Source of annotation: Marvin or Ruth Sackner.

This poster was designed by Toshihiro Katayama. -- Source of annotation: Marvin or Ruth Sackner.

The offset prints are tipped-in color reproductions of Ferrari's paintings. The remaining pages depict drawings and sketches of ideas. -- Source of annotation: Marvin or Ruth Sackner.