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With the exception of the signatures of the authors, this limited edition does not differ from the ordinary edition. The added price was set to subsidize the publication of the trade edition of the book. -- Source of annotation: Marvin or Ruth Sackner.

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In this book, Antin mentions that he considers his "Talking" works as poems. He also adds that some of them classified as concrete poems depending upon their layout on the page. -- Source of annotation: Marvin or Ruth Sackner.

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This catalogue provides a listing of current books in stock with annotations. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Charles Bernstein writes in the introductory essay that "Figuring the Word" is a wide-ranging collections of Drucker's essays in which she "presents herself as a visual artist, a literary writer, a scholar/historian, and an aesthetician. In all these areas, Drucker has made substantial contributions. But it is her synthesis of these fields that is her most extrardinary achievement." Chapters of collected essays in the book include Writing as Artifact, including a section on hypergraphy and Maurice Lemaitre; Visual Poetics; Artists' Books Past and Future; The Future of Writing; Personal Writing. In the section "The Interior Eye: Performing the Visual Text," Drucker traces visual poetry in the perfomance work of Massin & Ionesco's "The Bald Soprano," Tzara's "Boxe," Marinetti's "At Night," Iliazd "Lendentua as Beacon," and Gomringer's "Ping Pong" and other icons of visual poetry.In the section, "Iliazd and the Book as a Form of Art," Drucker discusses and/or illustrates the...

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Edited by Pierre Joris, this book was a festschrift for Jerome Rothenberg on the occasion of his sixtieth birthday. -- Source of annotation: Marvin or Ruth Sackner.

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The layout of this issue was done by Susan Laufer. -- Source of annotation: Marvin or Ruth Sackner.

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The recording consists of an interview between Charles Bernstein, and, Hejinian and Silliman who also did a reading. Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

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The recording consists of an interview between Charles Bernstein and Steve McCaffery who also did a reading. Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

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The recording consists of an interview between Charles Bernstein and Steve McCaffery who also did a reading. Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

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The recording consists of an interview between Charles Bernstein and Jackson Mac Low who also did a reading. Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

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The recording consists of an interview between Charles Bernstein, and, Weiner and Scalipino who also did a reading. Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

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The recording consists of an interview between Charles Bernstein and Rothenberg who also did a reading. Stored in box containing tape cassette periodicals of Linebreak, Recorthings and Tellus. -- Source of annotation: Marvin or Ruth Sackner.

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This anthology is mostly concerned with feminist issues. -- Source of annotation: Marvin or Ruth Sackner.

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Andrews states that this book is divided into three sections. "The first, POSITION, sets out an overall personal perspective in a sequence of summary statements on poetics, ending with efforts to drive the question of meaning into a trajectory of social embodiment, dialog, & resistance. The second, VERB, offers a parallel record of interviews & symposia responses on a clutch of related themes, with an eye toward recharting the 'socially possible' through language & (more) radical praxis. And the third, BODY, makes a mosaic out of pieces on a variety of postwar English-language poetries & matters up for grabs in reading (& thus personally reconvening & rewriting) them." -- Source of annotation: Marvin or Ruth Sackner.

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The material from this book includes 1133 e-mails from 67 writers. In the preface, Charles Bernstein writes that this book "provides a window onto an ongoing, highly articulate, intensely percolating poetics-in-the-making that is a fundamental feature of the most engaging and active poetry of our time." -- Source of annotation: Marvin or Ruth Sackner.

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This book is an anthology of the first three volumes of the magazine "L=A=N=G=U=A=G=E" that were published in 1978. It is stored with the original issues of "L=A=N=G=U=A=G=E." -- Source of annotation: Marvin or Ruth Sackner.

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Exhibited in Visualog 2, San Luis Obispu, California. Exhibitoin was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.