This book consists mostly of interviews of mail artists. -- Source of annotation: Marvin or Ruth Sackner.

Ruud Jannsen's interview traces Andrej Tisma's career in the mail art network. -- Source of annotation: Marvin or Ruth Sackner.

Documentation by Rudd Janssen for Dobrica Kamperelic in Yugoslavia regarding the war going on in 1999. -- Source of annotation: Marvin or Ruth Sackner.

Ruud Janssen's interview traces E.F. Higgins III career in the mail art network. -- Source of annotation: Marvin or Ruth Sackner.

Ruud Janssen's interview traces Gunther Ruch's career in the mail art network. Ruch was the publisher of Clinch magazine. -- Source of annotation: Marvin or Ruth Sackner.

Newsletter by Rudd Janssen that explains the history and process of mail art. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Carol Stetser. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Ayah Okwabi. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Dick Higgins describes the beginnings of mail art and fluxus. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Ibirico and his involvement with the mail art network. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Jenny de Groot. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Mark Bloch. Bloch describes the suicide death of Ray Johnson. -- Source of annotation: Marvin or Ruth Sackner.

Interview by Rudd Janssen with Patricia Collins traces her contributions to the mail art network and her own background of art projects. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Rudi Rubberoid. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview by Ruud Jansen of Vittore Baroni. He mentions that complete runs of Arte Postale! are held by the Sackner Archive, the Administrative Center in Belgium, and the V.E.C. Archives in Holland. -- Source of annotation: Marvin or Ruth Sackner.

Janssen provides an excellent history of rubberstamping as well as his own archive (1983-) in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Bleus states, "In netland a lot of artists can find a constructional and satisfying alternative for the morbid situation of the contemporary arts-industry. Mail-art has no real manifestos, restrictions or rules. Yet, the strict indications to organize a project, (no fee, no jury, no returns, and a catalogue to every participant), must be respected. Only the implementation of these basic rules will maintain the everlasting network during the new millennium. Mail-art is an alliance of marginal networkers. They know that netland is not utopia, but it is a good place to live." -- Source of annotation: Marvin or Ruth Sackner.