Videotaped by Anthony Rue. This performance was repeated at the Center For Fine Arts, Miami in 1994 that was attended by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Videotaped by Anthony Rue. This performance was repeated at the Center For Fine Arts, Miami in 1994 that was attended by the Sackners. -- Source of annotation: Marvin or Ruth Sackner.

Letter thanks Marvin Sackner for the Iliazd catalog De Campos received from him and then explains the multiple meanings of his new poem Cabeca. -- Source of annotation: Marvin or Ruth Sackner.

Stefan Baciu mentions the concrete poets in his essay on para-surrealist poetry in Brazil. -- Source of annotation: Marvin or Ruth Sackner.

This refers to building the support for De Campos' hologram "Risco" which is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This is a translation by Augusto De Campos from English to Portuguese. -- Source of annotation: Marvin or Ruth Sackner.

DeCampos provides a brief discussion of his first meeting with Gomringer in his first communication with Houedard. He thanks Houedard for sending him typogrammes..."very interesting as studies of form though I personally prefer always to use the semantical element." States that both Gomringer and his group began from the same starting point, i.e., Mallarme's the throw of the dice, "the threshold of new poetry." -- Source of annotation: Marvin or Ruth Sackner.

Includes reproductions of a Brazilian literary periodical, Revista de Antropofagia (1928-1929). -- Source of annotation: Marvin or Ruth Sackner.