levy mentions WORK-HOUSE sentence and also asks harris for cement ["concrete poetry" MAS interpretation] from him and other poets if "you will cut stencils -for -- Source of annotation: Marvin or Ruth Sackner.

levy discusses stamp collecting and asks for article about concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.

levy comments in this letter about the politics of Steve Slavik. -- Source of annotation: Marvin or Ruth Sackner.

The letter reads urgenT/ poems stolen need copies of BERET...BY may 5th.. when us fleye due.....? -- Source of annotation: Marvin or Ruth Sackner.

The letter reads, "d.h. consider as ms - i suppose it would be best if you returned it to me if you canot use it... i kind of like it & will eventually publish it myself if no none else will - will try to communicate later -" This letter was included with the manuscript of this untitled work called "Manuscript to david w harris." The Sackners purchased the letter and manuscript from Harris. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a manuscript submitted for publication to david w harris entitled, "The Incense Box" that apparently remained unpublished. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns S. Bann's gift to E. Gomringer of four cards of his work which are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This letter is a lengthy polemic in which Cobbing argues with Chopin's assertions on contesting the history of sound poetry. He dates and mentions his own performances of sound poetry from his first attempts in 1942. He argues with Chopin on the dating of the works of Heidsieck, Wolman, de Vree, Lockwood, Dufrene, Gysin and Jandl. -- Source of annotation: Marvin or Ruth Sackner.

Cannot identify H.K. but J.S. i is probably John Scott.. -- Source of annotation: Marvin or Ruth Sackner.

The photocopied contents of this envelope were given to the Sackners by Ingrid Swanberg & are stored in the levy binder. -- Source of annotation: Marvin or Ruth Sackner.

levy wrutes about contributions of concrete poetry being solicited for a forthcoming issue of Paris Review. -- Source of annotation: Marvin or Ruth Sackner.

levy requests permission to publish Leed's poems. -- Source of annotation: Marvin or Ruth Sackner.

levy writes Leed that he is going to use the title, "White Moon of Watching Out" [sic], for the title of a book of poems by Leed that he will print. Also sends Leed some of his own publications. The verso of this letter Is a reprint of Clandestine Press Bulletin No.1 from San Francisco Chronicle editorial page. -- Source of annotation: Marvin or Ruth Sackner.

levy asks Leed for a donation to print a book by Tom Kryss. -- Source of annotation: Marvin or Ruth Sackner.

levy's handwritten letter to Jacob Leed on verso page 3 mentions waiting for a poem by Alan Ginsberg and putting out Egyptian Stroboscope. The Smithbox is an experimental non-fictional piece replete with run-on as well as obscene words. it includes a minimalist poem by Bob Barker and a visuonary line drawing. -- Source of annotation: Marvin or Ruth Sackner.

Bann discusses Furnival organizing transportation of "Clyne" constructions, vowel screens, three columns, Ed Wright's "Four Sails" glass, "Ajar" wooden construction, "Ark/Arc" in plastic...[and] column with "Wave/Wave" to Nottingham, and the possibility of using Mayer's "Ampersands" for a wall or outdoor display. -- Source of annotation: Marvin or Ruth Sackner.

Letter concerns setting up, transporting and caring for Furnival's work at the first Brighton Festival as well as asking for an indication of the arrangement of Furnival's panels and whether Houedard could associate with the project. -- Source of annotation: Marvin or Ruth Sackner.

Bann reports damage to the screen of Furnival's installation at the Brighton Festival. -- Source of annotation: Marvin or Ruth Sackner.