The title WMI? made from cut colored paper collaged onto the cards and tickets at the bottom of the collage appears to be an acronym for Who aM I? with the response being Baroni's memberships and photos. The collage is one of a series of 8 Unrelated Pieces for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

The preface was written in her own handwriting by Tracey Emin and consisted of a brief autobiography. -- Source of annotation: Marvin or Ruth Sackner.

Jake Chapman contributed the preface. For this issue, Ken Cockburn printed a book about the Scottish poet, Robert Burns and his favorable feelings toward the French Revolution. In an introduction to two poems, Cockburn mentioned that Burns died on 3rd Thermidor. He further suggested that the French Revolutionary Calendar attempted to wean peasantry away from the use of Saints' days by designating each day with a rural name. Carrie Reichardt made a yellow, latex mold from a woman (Alison O'Dell) that reproduced part of jeans and umbilicus. Most of the other contributions have visual or conceptual artistic themes. -- Source of annotation: Marvin or Ruth Sackner.

The preface was written by Billy Chidish. David Breckon contributed a book entitled, "Transients" in which he provided photographs and captions for occupants of different rooms in a hotel at the same point in time. In this respect, he has utilized (knowingly or unknowingly) the format of George Perec's book, Life, A User's Manual. However, Perec employed solely verbal descriptions of the occupants and their dwelling spaces of a Parisian apartment house. -- Source of annotation: Marvin or Ruth Sackner.

Simon Ford writes a description of John Latham's "Still and Chew" event in 1966 that produced the first British work of Conceptual Art. The aim was to extract and capture the 'essence' of Clement Greenberg's influential collection of essays entitled "Art and Culture" and at the same time demonstrate Latham's theories concerning art, event, and time. Students of Latham at St. Martins Art School chewed pages from the book which was borrowed from the library, spat them out into a container that held sulfuric acid. This was allowed to ferment into alcohol, distilled and the distillate placed into a vial. The vial was returned to the library that declined to accept it. Latham was fired from his teaching position. The vial was packaged along with documentation into a brief case and subsequently was acquired by MOMA. -- Source of annotation: Marvin or Ruth Sackner.

Neil Crawford contributed a foreward. -- Source of annotation: Marvin or Ruth Sackner.

In this final issue, readers were invited to send comments about the periodical which were published in the book documenting the issue. Sackner's comments appear on page 13. Liam Gullick wrote the Conclusion for the final issue of this periodical. -- Source of annotation: Marvin or Ruth Sackner.

Provides a listing grouped under the classifications used by Cobbing for the publications. -- Source of annotation: Marvin or Ruth Sackner.

The pages consist of search engine printouts of visual poetry on the Internet. -- Source of annotation: Marvin or Ruth Sackner. Additional names involved: deAraujo A ; Figallo T ; Smith WJ ; Lora-Totino A ; Bohn W.

This is the introductory piece of this 23 piece suite of altered mimeographed works. This is a letter to Bill Wyatt, a British poet, that states, "dear bill: i hope you can use this - i have no way to reproduce here - the fugs and allen ginsberg will be doing a benefit for me & jim lowell so we'll at least be able to pay our lawyers - its going to be difficult staying out of jail - establishment here is [swastika symbol] insane - i hope you can afford the return postage on this if you cant use it - if not let me know & ill try to get some return coupons & send them to you..." -- Source of annotation: Marvin or Ruth Sackner.

The text was written by Basset. This publication is also designated as werkstatt breitenbrunn blatt 4 and was edited by Wil Frenken and Fria Elfen. Klaus Basset was born in 1926 and died in 1996. -- Source of annotation: Marvin or Ruth Sackner.