The poem object consist of two silkscreened prints depicting experimental music scores wrapped several times around a stiff printed card. The folders insert within a bent open plexiglas frame; the abstract plaster sculpture is sited on the forward bend of the plexiglas frame. The plastic circular poem object with white painted handwriting is mounted on an opened folder on the back of the book object. The sound poem was recorded on the tape casette by Serge Pey. -- Source of annotation: Marvin or Ruth Sackner.

The background for the collage is a photocopied newspaper article that describes Baroni's mail art activities. -- Source of annotation: Marvin or Ruth Sackner.

This box and its contents represent documentation for an installation in galerie AB, Paris, January 1992. -- Source of annotation: Marvin or Ruth Sackner.

This is a poster advertising the arrival of Nouveau Beaujolais wine. It was posted in cafes and restaurants in Paris. Rachid Koraichi asked for the poster on the wall for the Sackners during their lunch together with Albert Behar. -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of this book which is accompanied by five drawings. Sixteen copies of the drawings were editioned, six to collaborators and nine for sale, e.g., one of the latter held by the Sackner Archive. The book was first published in 1987 without the drawings. The text of the book consists of Isou's reminiscences of the Lettrist movement and a listing of his own works. -- Source of annotation: Marvin or Ruth Sackner.

Pages reproduce covers for periodicals designed by Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

This book lists and depicts among other works all covers of issues of the eschenau summer press through 2005. -- Source of annotation: Marvin or Ruth Sackner.

This book deals with Chopin's diary notes on the making of his sound poems. He mentions meeting the Sackners on his visit to Miami Beach in 1984. -- Source of annotation: Marvin or Ruth Sackner.

This book is designed, hand set and hand printed by John Crombie. The text by Beckett was first printed in 1970. This edition was printed on Kickshaw's Golding Press in a cloverleaf presentation. Stored with Crombie publications. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of a diary dealing with poetic and political events taking place in Czechoslovakia during the Cold War beginning in 1952 and ending in 1968. It records the author's observations as well as letters and quotes from newspapers and periodicals. -- Source of annotation: Marvin or Ruth Sackner.

This book was edited by Jan Herman. Gysin documents the making of cut-ups and his "Dream Machine" in this book. Also, this book includes three labels from the exhibition "Beyond Geometry." -- Source of annotation: Marvin or Ruth Sackner.

Francesco Conz contributes an afterward "Lettrisme: The Forgotten Avant Garde." Roland Sabatier wrote about Isou's novel "Initiation a la Haute Volupte" (Initiation inot High Sensual Pleasure) and also contributed an essay "Poetry and Music:From Lettrisme to Excordism through Aphonism and the Infinitesimal." The fabric prints of Isou published by Conz, that are reproduced in this book, are also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This letter requests submissions for the second issue (AB) of A magazine. -- Source of annotation: Marvin or Ruth Sackner.

In response to Loeffler's request for a critical essay for his "Book on Correspondence Art" Crozier describes what it would be like to receive work from his colleagues in the mail art network. The narrative mentions over 450 names, all listed in alphabetical order. Mentions "Marvin Sackner who is the only non-artist in here or is he now..." -- Source of annotation: Marvin or Ruth Sackner.

Vittore Baroni, Robert Filliou, Bill Gaglione, Edgardo Antonio Vigo, William Xerra, Nicholas Zurbrugg, Lon Spiegelman, Marvin A. Sackner, Takako Saito, Eugenio Miccini, Clemente Padín, and Richard Kostelanetz are some of the names associated with this letter.

Andrews related a performance that he gave in an art gallery that involved the playing of two 1 1/2 hour simultaneous tapes, various books and sequences on tables, couple dozen, separate, written pieces on wall and a 12' x 7' wall and adjacent 9' x 12' floor taken up by 150 poem cards. He also recommends Victor Ehlich's book "Russian Formalism" for reading as he believes it is relevant to Coolidge's work. -- Source of annotation: Marvin or Ruth Sackner.

The letter reads, "d.h. consider as ms - i suppose it would be best if you returned it to me if you canot use it... i kind of like it & will eventually publish it myself if no none else will - will try to communicate later -" This letter was included with the manuscript of this untitled work called "Manuscript to david w harris." The Sackners purchased the letter and manuscript from Harris. -- Source of annotation: Marvin or Ruth Sackner.