The drawing includes a Tibetan chant. -- Source of annotation: Marvin or Ruth Sackner.

levy requests poems from Inman for Silver Cesspool #5 and Inman sends them to levy. Inman also mentions that Carol Berge is delighted with levy's publication of her book. -- Source of annotation: Marvin or Ruth Sackner.

The note reads "will. i changed my mind tore up letter nothing is urgent -- Source of annotation: Marvin or Ruth Sackner. The rest of the message is typed.

This print depicts a photographic portrait of Houedard along with the famous Haiku he translated from Bashu, "frog, pond, plop." It is depicted on page 140 of Furnival's book, "The Locative-Vocative Cases." -- Source of annotation: Marvin or Ruth Sackner.

This experimental music score is based upon a concrete poem by Decio Pignatari. -- Source of annotation: Marvin or Ruth Sackner.

Cobbing discusses the justifications in using machines to enhance the performance of sound poems. The handwritten text are notes unrelated to the essay. -- Source of annotation: Marvin or Ruth Sackner.

The book mainly documents the indictment and trial of the author for sending five "indecent" postcards in the mail. -- Source of annotation: Marvin or Ruth Sackner.

The book mainly documents the indictment and trial of the author for sending five "indecent" postcards in the mail. It is reprinted from the 1976 edition; the back covers differ. The loose sheets consist of a biography and bibliography. The photograph depicts a visual poem related to Queen Elizabeth. The rubberstamp reads unsolicited pornography and is stored separately. -- Source of annotation: Marvin or Ruth Sackner.

This invitation was published for the exhibition on the work of the British poet, Bob Cobbing. The exhibition was curated by Matthew Abess who was the scholar in residence at the Sackner Archive during the summer of 2006 between his sophomore and junior years at the University of Pennsylvania. He also wrote the catalogue essay and organized a symposium at the Kelly Writers House with Maggie O'Sullivan and cris cheek, compatriates of Bob Cobbing, participating in the event along with Charles Bernstein and Marvin Sackner. All the Cobbing material for the exhibition came from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Charles Cameron writes about this collection of '1 foolscap letter addressed "mdc" (my dear charles) concerning Pierre Albert-Birot's celebrated book Grabinoulor,together with4 foolscap pp of dsh's translation, book 3 chapter 8, with ca 20 - 30 corrections in dsh's hand on each page" The covering letter is stored with the manuacript in the manuscript binder. -- Source of annotation: Marvin or Ruth Sackner.

The poster deals with the exhibition and symposium commemorating the 100th anniversary of Stephan Mallarme's birth. The card is a photograph of the artists in Un Coup de Des performance clothing. -- Source of annotation: Marvin or Ruth Sackner.

This is an experimental music score with elements of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

Lemaitre presents a small catalogue of his works for sale. They date from 1954 to 1990. The Sackner Archive holds two works from this catalogue: a bronze sculpture titled "Dialogue de dieux" and a gouache titled "Les Signes s'approchent!" -- Source of annotation: Marvin or Ruth Sackner.