Cinicolo mentions difficulty in obtaining a grant to go to St Martins. -- Source of annotation: Marvin or Ruth Sackner.

The instructions on the letter are to read it when held up against the light. In this mode, some words have letters with a double typed appearance and internal blank space. -- Source of annotation: Marvin or Ruth Sackner.

There is no spacing between the words in this letter.Cinicolo writes of his speaking with Peter Schmidt and Hansjorg Mayer about his work. He also tells Houedard that "the numeral3attheendofmysurnameis becauseiamthethirdinaseriesofdonatos." -- Source of annotation: Marvin or Ruth Sackner.

There is no spacing between the words of this letter that deals with an inquiry about a silver ribbon for typing. -- Source of annotation: Marvin or Ruth Sackner.

Cinicolo aknowleges receipt of corrected proofs of Newcastle catalogue and mentions telephone coversations with John Cage and Bob Cobbing. -- Source of annotation: Marvin or Ruth Sackner.

This letter is a reminder to Houedard about sending a photograph of dc3. -- Source of annotation: Marvin or Ruth Sackner.

Houedard mentions that he edited Anthony Harwood's text and wanted Furnival to design the cover for the book. He also states that he would like to review Cinicolo's new book, Sky Blue. -- Source of annotation: Marvin or Ruth Sackner.

Houedard writes that he is saddened by the plan to terminate Watford School of Art. Houedard's circular signature is spelled with a dotted y. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for his visit and states that he told Peter Max that Cinicolo might visit although Houedard admits that he never actually met him "like ive met you now." -- Source of annotation: Marvin or Ruth Sackner.

In the letter, Houedard asks cinicolo for advice on the design of the catalogue, invitation and book for the LYC exhibition. He also inquires as to the way the reversal poems should be printed on tracing paper. He lists and mentions that he is returning cinicolo's letters so that they can be filed by cinicolo. Houedard includes a drawing of the reversal poem "mind ache" on the second page. -- Source of annotation: Marvin or Ruth Sackner.

In the letter, Houedard asks cinicolo for advice on the design of the catalogue, invitation and book for the LYC exhibition. He also inquires as to the way the reversal poems should be printed on tracing paper. He lists and mentions that he is returning cinicolo's letters so that they can be filed by cinicolo. Houedard includes a drawing of the reversal poem "mind ache" on the second page. -- Source of annotation: Marvin or Ruth Sackner.

Houedard thanks Cinicolo for the 'blublublu" book. He also discusses the various spellings of his name Sylvester or Silvester. The letter includes a typewriter drawing of a red apple. -- Source of annotation: Marvin or Ruth Sackner.

Houedard expresses ideas and provides sketches for reversal poem, "Mind-Ache." -- Source of annotation: Marvin or Ruth Sackner.

Houedard provides further sketches and design ideas for Mind-Ache. -- Source of annotation: Marvin or Ruth Sackner.

Houedard mentions that the original letter was typed with a pink ribbon and also that he admires the work of Edward Wright. Describes the difficulties he has had in publishing his work with Dana Atchley in Canada. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.

The letter deals with a card of the reversal poem "mind ache" that Houedard wants Cinicolo to render into a publication. A sketch of the poem is on page 2 of the letter. The Sackner Archive does not have this card, possibly because it was never published. Houedard also mentions on page three that he plans to discuss with Jonathan Williams and Tom Meyer about Cincolo doing designs for Jargon Books. -- Source of annotation: Marvin or Ruth Sackner.