This consists of the labels used for the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

This book is the sequel to the exhibition catalogue, "British Artist's Books since 1970." Simon Ford provides a section on Definitions of Artist Books that includes a statement by Marvin Sackner from "The Altered Page" catalogue. The major portion of this book is a listing and description of the books that include among others Phillips, Dante's Inferno, The Heart of A Humument, and Where are They Now by Tom Phillips as well as Langlands and Bell's The Crisis of Western Education. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts Marvin Sackner in bubble bath of hotel bathtub in Stuttgart during summer 1980; 9.5 refers to quality of hotel bathtub on Sackner's rating scale of 1-10. -- Source of annotation: Marvin or Ruth Sackner.

Includes Clive Phillpot's letter of thanks, wall listing, and two installation views of the exhibition "Artists Magazines" from the Sackner gift to the MoMA Library. -- Source of annotation: Marvin or Ruth Sackner.

The exhibition consisted of books, manuscripts and works on paper from the collection of Grolier Club members. "The Heart of A Humument" from the Sackner Archive was exhibited and illustrated in the catalogue. George Koppelman exhibited Charles Bukowski's "The Genius of the Crowd," Cleveland:7 Flowers Press, 1966 (hand printed and illustrated by da levy). He purchased it for less than $1.00 from Jim Lowell, Asphodel Book Shop at the time of publication. The colophon called for 103 copies but about 40 copies survived since the rest were destroyed by the Cleveland police. Current price (2007) on the internet from Virtuous Books is $14,500. -- Source of annotation: Marvin or Ruth Sackner.

This booklet, printed in an addition of 1500 in honor of the 60th anniversary of the company, Primagaz, commemorates the editioned plate created by Albert Dupont. The plate contains two poetic texts by Dupont around the border and the center. the blue and gold colors relflect the flame, the energy and the creativity associated within each person. -- Source of annotation: Marvin or Ruth Sackner.

This booklet, printed in an addition of 1500 in honor of the 60th anniversary of the company, Primagaz, commemorates the editioned plate created by Albert Dupont. The plate contains two poetic texts by Dupont around the border and the center. the blue and gold colors relflect the flame, the energy and the creativity associated within each person. -- Source of annotation: Marvin or Ruth Sackner.

This book is the prospectus for the paperback edition of Soliloquy, a book that recorded every word spoken by Goldsmith in a week. The Sackner Archive is cited. -- Source of annotation: Marvin or Ruth Sackner.

This was first printed in West Coast Line No.60 Winter Volume 42, 4: 24-35. Mancini mentions that he printed "Wheatabixy" for the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This issue lists members of the society along with a portrait, sometimes a short biography, and other times a manifesto. -- Source of annotation: Marvin or Ruth Sackner.

This issue served as the catalogue for the exhibition at Agnes Scott College Gallery, "Book Unbound." The Sackner Archive lent 22 works to the exhibition that was curated by Cathy Byrd. -- Source of annotation: Marvin or Ruth Sackner.

The photograph depicts the group mentioned in the title. -- Source of annotation: Marvin or Ruth Sackner.

This is an essay written for an exhibition of Ken Friedman's illustrations of two books, viz., Ernest Robson's "Thomas Onetwo" and Dick Higgins' "The Epickall Quest of the Brothers Dichtung." Stored with Ken Friedman material. -- Source of annotation: Marvin or Ruth Sackner.

This item consists of the program book and a copy of Marvin Sackner's talk delivered to the Society of American Archivists titled "The Collector as Performer." -- Source of annotation: Marvin or Ruth Sackner.

Discusses revisions for the Lettrist exhibition at the University of Iowa. -- Source of annotation: Marvin or Ruth Sackner.

This is a draft of a letter relating a telephone conversation with the Sackners about visiting them in Miami Beach and giving a performance in their home as well as in the New Music Festival. -- Source of annotation: Marvin or Ruth Sackner.

Mentions that Sackners are admirers of Federman's book "Double or Nothing." Curtay also discusses the forthcoming Lettisme exhibition at the Univiversity of Iowa. -- Source of annotation: Marvin or Ruth Sackner.

Discusses loans for the Franklin Furnace exhibition on Lettrisme and mentions works that he will request from the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.