Experimental calligraphy
Found in 136 Collections and/or Records:
6 Calligraphies / Aalbers, Ben., 1982
4040 / Segay, Serge., 1996
Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.
A Life in Books: The Rise and Fall of Bleu Mobley, 2013
Australian Dancers: If There Was / Willis, Diz., 1969
Automatischer Text / Trinkewitz, Karel., 1964
A photographic reproduction of this drawing appears in Neue Texte No.4 1970, a publication held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Barf / Farmanfarmian, Monir (aka Farmanfarmaian, Monir Shahroudy)., 1981
Bierun uid Polen / Werbachowska, Alicja., 1993
Werbachowska allows the inked, handwritten, run-on text to bleed through the opposite side of the page to produce light and dark patterns of writing with an optical effect. -- Source of annotation: Marvin or Ruth Sackner.
Bloomsday 1982. Mitschrift einer Radioübertragung aus Dublin. Ulysses von James Joyce / Willi, Jean ; Breger U ; Joyce J., 1983
BMCT / Babenko, Dmitry., 1997
This work was exhibited in one of pete spence's correspondence art shows. -- Source of annotation: Marvin or Ruth Sackner.
Book No.11 / Dmitry Babenko., 2000
This poem sculpture was constructed of heavy corrugated packaging paper, folded in eighths. The surfaces are covered in handwritten, black and red ink Cyrillic letters of varying sizes. The edges of the sculpture are covered with red and black felt papers arranged in a checker board pattern. -- Source of annotation: Marvin or Ruth Sackner.
Book No.11 / Dmitry Babenko., 2000
This poem sculpture was constructed of heavy corrugated packaging paper, folded in eighths. The surfaces are covered in handwritten, black and red ink Cyrillic letters of varying sizes. The edges of the sculpture are covered with red and black felt papers arranged in a checker board pattern. -- Source of annotation: Marvin or Ruth Sackner.
Cahier No.1: De L'Art Des Combinaisons: le lettre y, le traca, le mot / Mairey, Francoise., 2011 - 2012
The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.
Cahier No.2: De L'Art Des Combinaisons: le lettre w, le trace, le mot / Mairey, Francoise., 2012
The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.
Cahier No.2: De L'Art Des Combinaisons: le lettre y, le trace, le mot / Mairey, Francoise., 2012
Cahier No.3: De L'Art Des Combinaisons: le lettre y, le trace, la mot / Mairey, Francoise., 2012
The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.
Cahier No.4: De L'Art Des Combinaisons: le lettre w, le mot, le trace / Mairey, Francoise., 2012
The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.
Cahier No.4: De L'Art Des Combinaisons: le lettre y, le trace, le mot / Mairey, Francoise., 2012
The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.
Cahier No.5: De L'Art Des Combinaisons: le lettre w le mot le trace / Mairey, Francoise., 2012
The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.
Cahier No.5: De L'Art Des Combinaisons: le lettre y, le trace, le mot / Mairey, Francoise., 2012
Cahier No.6: De L'Art Des Combinaisons: le lettre, le trace y le mot / Mairey, Francoise., 2012
The page count is the sum of the right sided inked pages including the bleed-throughs. -- Source of annotation: Marvin or Ruth Sackner.