This version is actually unique because the final version was entirely printed. It has been designated as Opus 13. In addition, it includes Phillips' handwritten notations. Depicted in Tom Phillips: Works Texts To 1974, page 259. -- Source of annotation: Marvin or Ruth Sackner.

Notes read "Motto variation on Christian Wolff's 'Stones' (from Prose Selection). Little drops of water bore holes in stones. OP. XIII. / Stage proof [silkscreen with gouache] / Aquae guttae saxa excavant. / (Little drops of water bore holes in stones.)" Added: CEND.

This is an experimental music score with elements of visual poetry. -- Source of annotation: Marvin or Ruth Sackner.

This is another version of a drawing mentioned in Tom Phillips: Works Texts To 1974, page 250. The original drawing entitled, "C.Loopseend" (Opus 4) is in the collection of the Tate Gallery. It is stated that the work is a variant of Opus 2 but the piece is not depicted in the book. The Sackner drawing has the Letter 'I' appended to the title. -- Source of annotation: Marvin or Ruth Sackner.

This drawing depicts a three dimensional music score. Melin's music scores are conjectured and not intended to be played although in fact, a few have been performed. -- Source of annotation: Marvin or Ruth Sackner.

The background of this drawing is an unevenly painted, grey surface. The markings are drawn in columnar form. On the upper right corner, there is a drawing of an opened book with facing pages of micrography. Melin's music scores are conjectured and not intended to be played although in fact, a few have been performed. -- Source of annotation: Marvin or Ruth Sackner.

This print was silkscreened by Dave Pike at Ipswich. This score (Opus 2) consists of wavy black heavy curved lines with thinner red line intersections. Phillips provides directions on one side of the folded print in his own handwriting. The letter to John (Furnival?) describes a broadsheet/poster drawing for publication. He mentions that the musical print is "...something David Bedford asked me to do - an indeterminate piece for any number of people (to use where he teaches) -so, for interest, I enclose that too." Depicted in Tom Phillips: Works Texts To 1974, page 249. -- Source of annotation: Marvin or Ruth Sackner.

The main image is a linear music score with a 17 x 12.5 cm rectangle in its center. A vertical columnar music score is drawn its center. Three lines of micrographic text have been written between two rows of the music score. Melin's music scores are conjectured and not intended to be played although in fact, a few have been performed. -- Source of annotation: Marvin or Ruth Sackner.

This piece was exhibited at the Other Minds 14 performance in San Francisco where Mello performed. It was purchased at a silent auction by the Sackners -- Source of annotation: Marvin or Ruth Sackner.