Scope and Contents

Stored in Tipping's "Sign Here" box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a collage of a U.S. postal envelope whose text has been altered with the same typeface in order to provide a new designation, a genre commonly utilized by Tipping. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored in Tipping's "Sign Here" box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Stored in Tipping's "Sign Here" box. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a collage of a U.S. postal envelope whose text has altered with the same typeface in order to provide a new designation, a genre commonly utilized by Tipping. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a collage of a U.S. postal envelope whose text has altered with the same typeface in order to provide a new designation, a genre commonly utilized by Tipping. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents Each sign is accompanied by a sheet listing the date of printing, dimensions, material, producer, edition, date of original artwork and notes by the artist. The catalogues contain essays by Alex Selenitsch, Sing Song, and George Alexander, Richard Tipping's Cure for the Common Code. The Sackner Archive is listed as holding Tipping's works. Other, more recent acquisitions have also been placed in this box. This box also has been acquired by MOMA. -- Source of annotation: Marvin or Ruth Sackner. Included Contents Catalogues: Hear the Art. The Eagle Gallery, London, Great Britain, 1997. (3-fold A4 catalogue essay, 21 x 29.5 cm) Multiple Pleasures. Thorny Devil Press, Wonji Wonji, Australia. / The Art Gallery of New South Wales, Sydney, Australia, 1996. (5-fold A6 catalogue essay, 10 x 15 cm) ...