Cobbing used the structure of the original book and added poems for a performance. -- Source of annotation: Marvin or Ruth Sackner.

This volume contains poetry from 1976 through July 1985. In his intoductory essay, Peter finch writes that these works are modernist in the found tradition of Duchamp. Many poems are transformed pieces of lists and information reorganized by Cobbing who also performs the poems. -- Source of annotation: Marvin or Ruth Sackner.

The documentation for this project is mentioned in arnyekkotok electrographic art Vol.4 No.2; the latter issue is also held by the Sackner Archive. The recipiente pf this book included among others., Ruth & Marvin Sackner, Bart Boumans, David Zac k, and Emmett Walsh, -- Source of annotation: Marvin or Ruth Sackner.

The title abbreviations Com.Mix. stand for Communication Mixture. This book presents mainly typographic images that Kriwet collected from the American and German landscapes, e.g., signs on store fronts, directional signs, trade marks, TV screens, ideograms and logos. He also utilized multiple illustrations of early texts, maps, illustrations, ancient languages and symbols and related them to analogous contemporary images. For example, Kriwet juxtaposed one of his concrete poems arranged as a mandala with an early German poem also written this way. Another category of illustrations are documentary photographs of Kriwet working on his installation projects. Several photographs show, "Walk Talk," a work held by the Sackner Archive. The images are fully documented with notes of reference for each illustration. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Tipping's "Sign Here" box. -- Source of annotation: Marvin or Ruth Sackner.

Daniel f. Bradley composed the six illustrations of letter pictures in this book using letraset. -- Source of annotation: Marvin or Ruth Sackner.

The poem consists of an array of names for Scottish fishing ships presumably arranged while anchored and fishing. -- Source of annotation: Marvin or Ruth Sackner.

Sara Sackner made this unique book based on the Archive collection of Russian Avant Garde books and concrete poetry. The hand woven pages are stitched onto painted Russian words on a golden background. The final page, dedicated to her parents, contains an English translation of a Russian poem about a concrete factory. -- Source of annotation: Marvin or Ruth Sackner.

One of the drawings depicted in this book, the poem, Grid/Shift by Gibbs, is held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This partially completed, archival, flip-lid box collaged with product labels on inside and outside sufaces is among the first of Furnival's visual poetic labeled collaged boxes. It contains a certification and an astronomy map of a star named after Marvin Sackner that was a birthday gift from Majorie Weber on his 70th birthday, -- Source of annotation: Marvin or Ruth Sackner.

The pages of this book depict ancient engravings related to space travel and diagrams of brain functions. -- Source of annotation: Marvin or Ruth Sackner.

This book contains texts, images, collages, graphics and photographs by the two authors. -- Source of annotation: Marvin or Ruth Sackner.

PALPI is the acronym for Poetry and Little Press Information; the issue for this cover design is also held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Cover Stories was an exhibition of altered covers, primarily through collage, of popular novels. It was created for Geelong Arts Alliance's exhibition. -- Source of annotation: Marvin or Ruth Sackner.