Fragmented text
Found in 110 Collections and/or Records:
Revolutie, 1968
This is among the most widely reproduced concrete poems of Paul De Vree. The word "Revolutie," printed in a circular way in red color has been fractured across its middle and placed slightly to the right of its top half to give an optical sense of movement. -- Source of annotation: Marvin or Ruth Sackner.
Sand Rock Tide [smudged typography] / Houedard, Dom Sylvester; Verity, S.., 1964
This work was printed by Simon Verity. -- Source of annotation: Marvin or Ruth Sackner.
serienfuss 1st Ed, 1974
The font size of the cover is larger in the 1st than the 2nd edition (also held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.
serienfuss 2nd Ed., 1979
The font size of the cover text is smaller in the 2nd than the 1st edition (also held by the Sackner Archive). -- Source of annotation: Marvin or Ruth Sackner.
S.I.N. Stamps Folio IV: Masked & Unmasked Mail Art Personality of Vittore Baroni... , 1985
Printed on orange paper. -- Source of annotation: Marvin or Ruth Sackner.
S.I.N. Stamps Folio IV: Masked & Unmasked Mail Art Personality of Vittore Baroni..., 1985
Printed on green paper. -- Source of annotation: Marvin or Ruth Sackner.
S.I.N. Stamps Folio IV: Masked & Unmasked Mail Art Personality of Vittore Baroni... , 1985
Printed on orange paper. -- Source of annotation: Marvin or Ruth Sackner.
S.P.L.A.T. III, 1984
Srunt - Soto Globbolalia, 2008
st. eeples , 1968
*WEB 1998. [Email]seamus.cooney@wmich.edu. My copy says it's published by Tarasque Press. Sackner: no identification of publisher on my copy of card but similar Bann cards were also published by Tarasque Press so that correction is accepted. -- Source of annotation: Marvin or Ruth Sackner.
Staceal 1, 2002
stampOlogue, 2005
Subvers: L'Angerie. No.9-10, 1973
Each page reproduces a classic visual poem that is printed in black and white and in some instances with a highlight color such as red, green or yellow. The work is printed as a book with no designation that it is an issue of Subvers. -- Source of annotation: Marvin or Ruth Sackner.
Tea, 1987
The Cancellors, 1990
The theme is Baroni's Stickerman Museum. -- Source of annotation: Marvin or Ruth Sackner.
The Exorcism of Page 13 , 1996
Burtner placed six small squares on eight rows cut from magazines with the page number 13 on each square. The cut up technique, first used by William Burroughs, has inspired the work of many visual poets. Part of his name appears on the second square from the left, first row. Duchamp invented found art, and his name appears in the second square from the right, last row. -- Source of annotation: Marvin or Ruth Sackner.
The Ruts , 1979
The Severed Head, 1993
The Text Bursts , 1968
A page from a periodical dealing with a political issue in Wales is cut jaggedly down the center. The printed black name, Wales, is repeated in its opening with progressive enlargement of the typeface dimensions. The uppermost "Wales" is printed in red, large capital letters. On the verso, the caption, "subscribe to Second Aeon" is printed in handwritten black letters. -- Source of annotation: Marvin or Ruth Sackner.