This is a textural collage. -- Source of annotation: Marvin or Ruth Sackner.

Charles Cameron writes about this collection of 36 pages and one cover page, "A collection of non--concrete poems on mainly religious topics, some on the beat & raunchy side, typed by me (cc) on dsh's typewriter and inscribed by him on title page "& copied in my presence dsh" - erotic, quixotic, off beat, beat, wild stuff." The poems iknclude adescription os dsh's typewriter, Jack Kerouac, and a poetry definition as 'misplaced sex.' -- Source of annotation: Marvin or Ruth Sackner.

The outside long sleeve shirt is made of red, orange, white and black cut and collaged words and word fragments. The inner side is collaged with smaller black and white words and word fragments. The original shirt fit Trinkewitz. -- Source of annotation: Marvin or Ruth Sackner.

The short sleeve t-shirt is collaged with light blue, navy blue, turquoise and white words and fragments of words on its outer surface. The inner surface is collaged with smaller black and white words and fragments of words. The original shirt fit Trinkewitz. -- Source of annotation: Marvin or Ruth Sackner.

This wall piece consists of the word POLITICS, made of wooden letters, placed at the top of a surface of chaotic, fragmented, interlocked, wooden letter shapes. -- Source of annotation: Marvin or Ruth Sackner.

Taken from pete spence's Archive 1998. -- Source of annotation: Marvin or Ruth Sackner.

The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. -- Source of annotation: Marvin or Ruth Sackner.

The text is an exposition of Kriwet's paintings that he designates Publit aka public literature. He notes that he considers himself a writer who paints. The inscription on the cover is written and signed by Franz Mon (?). -- Source of annotation: Marvin or Ruth Sackner.

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

This print is housed in a brown paper portfolio with "House Press" and its logo silkscreened onto it along four other prints. -- Source of annotation: Marvin or Ruth Sackner.

This is among the most widely reproduced concrete poems of Paul De Vree. The word "Revolutie," printed in a circular way in red color has been fractured across its middle and placed slightly to the right of its top half to give an optical sense of movement. -- Source of annotation: Marvin or Ruth Sackner.