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Graphic design

 Subject
Subject Source: Sackner Database

Found in 488 Collections and/or Records:

Open: Security. No.2., 2002

 Item
Identifier: CC-42980-45025
Scope and Contents

This is a graphic design magazine with several contributors. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2002

[Our father who's art is in Heaven?] / Sych, Paul., 1996

 Item
Identifier: CC-27612-28689
Scope and Contents

This card depicts the words of the title printed in deconstructed typography that resemble white neon lights on a black structure floating in space. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Photo Graphs: 1. SING / Depew, Wally., 1990

 Item
Identifier: CC-55991-9999458
Scope and Contents

Six printed samples publicizing "A Bag of Bags." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1990

Pioneer of Swiss Graphic Design edited by Lars Muller / Muller-Brockmann, Josef ; Rand P ; Itten J ; Tschichold J ; Gerstner K., 1995

 Item
Identifier: CC-28381-29578
Scope and Contents

In the introduction, Lars Muller writes that Muller-Brockmann "consistently pursues the formal reduction and condensation of statements until he has an objective message. His demand for neutral, functional and objective design became Swiss Graphic Design in the 50s and 60s, where he was a major influence...But the rules and constants of graphic design that it formulated are still valid. They will acquire greater significance in the upcoming debate, which is long overdue, about the complexity of the simple." Muller-Brockmann designed posters for the world of art and music, and approached graphic design as an artist who emphasised typographic rather than pictorial solutions.The book is divided into two main sections. The first provides a biography of Muller-Brockman and a review of Swiss graphic design in the pre-WWII years. The second section depicts examples of his graphic designs. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Porte - Voix, 1979

 Item — Box 415: [Barcode: 31858072460862]
Identifier: CC-28504-29783
Scope and Contents

An unusal typeface ws used in this poster. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1979

Portfolio / Stout, D.J.., 2004

 Item
Identifier: CC-43329-45388
Scope and Contents

To welcome D.J. Stout as a partner in the Austin office of Pentagram, The partners published this portfolio of his work. It consists mainly of covers for Texas magazines. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2004

Posters / Pentagram ; Scher P., 1997

 Item
Identifier: CC-34077-35757
Scope and Contents

This book also includes examples of industrial design by the firm. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1997

Print: Computer Art & Design Annual 3. No.2/Mar-Apr / Crandall D ; Kent C., 1995

 Item
Identifier: CC-04798-4889
Scope and Contents

Diane Crandall's book "Violent Crime," held by the Sackner Archive, is illustrated as a design award winner. Includes an essay by Juanita Dugdale on contemporary graphic design in religious art that utilized concrete and visual poetic themes. The computer generated brochures and books in this issue bear a close resemblence to artist books. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1995

Print: Design Culture Type. No.4/Aug / Cerha S ; King E ; Bell R ; Shaarani ME ; Lamarche G ; Neelon G., 2008

 Item
Identifier: CC-48261-69286
Scope and Contents

Emily King contributes an essay on avant garde typography entitled m"Different Strokes." Roanne Bell writes about Arabic word/images created by Mouneer El Shaarani. Caleb Neelon describes the letter collages and visual poems of Greg Lamarche. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2008