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Graphic design

 Subject
Subject Source: Sackner Database

Found in 489 Collections and/or Records:

Afrikan Alphabets: the story of writing in Afrika / Mafundikwa, Saki., 2007

 Item
Identifier: CC-47938-68961
Scope and Contents

Afrikan Alphabets will lead you to uncharted places in Afrikan cultures. This book is about the highly graphic pictographs, ideographs, and scripts devised and designed by Afrikans themselves. In Afrika, the harmony of art, nature and spirit is the rule, not the exception. In terms of the graphic arts, alphabets designed by Afrikans show that the spiritual line is free and unencumbered by the rule of the grid. Afrikan alphabets express ideas, systems of thought, cultural imperatives, aesthetic preferences, and spirit. They are one of the important keys to help unlock what has been kept hidden from so many for so long. These alphabets with their deeply meaningful graphic constructions show the intelligence and ingenuity of Afrikan peoples." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2007

A.M. Cassandre / Cassandre, A.M.., 1985

 Item
Identifier: CC-16796-17151
Scope and Contents

Text by Henri Mouron, son of Cassandre (Adolphe Mouron). Illustrated in this book and held by the Sackner Archive are "Bifur" and "Le Spectacle est dans la Rue." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1985

American Typeplay / Heller, Steven ; Anderson, Gail ; Allen T ; Byrne D ; Crumb R ; Kruger B ; Maisner B ; Makela S ; Scher P ; Drescher H ; Lubalin H ; Carson D ; VanderLans R ; Scher P., 1994

 Item
Identifier: CC-27885-29024
Scope and Contents In his opening essay, Steven Heller states that Herb Lubalin, a devout typophile, built upon the ideas of earlier twentieth-century type/image makers, such as Kurt Schwitters and Lazar El Lissitzky, and blurred the distinction between type and image. In the late 1940's Bradbury Thomas, a pioneer of American typography, encouraged designers to occasionally release type from its moorings and play with it as if it were a toy. His idea, inspired by the Futurists, Dadaists and Surrealists of the 1920's was that smart typographic puns could enhance a reading by providing an additional level of meaning. Thompson made puns with letterforms that released specific sounds, not unlike the onomatopoeic type poems of the Italian Futurists. A decade later, Herb Lubalin took the idea even further by combining photographs and drawings with expressive letters that underscored or amplified the meaning of a headline. This was serious typeplay!Chapters in this well designed book include Cutting Edge,...
Dates: 1994

Annual Report / Prudential Insurance Company., 1996

 Item
Identifier: CC-04923-5020
Scope and Contents

Each of the first five pages contains a question relating to the insurance business printed in capital fonts, one line directly over the lines on the following pages. The questions can only be read if the pages are viewed separately and only then can "Simple Questions" lead to "Straight Answers." -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1996

Art As Book As Art / Barton CJ ; Frederick H ; Ligorano N ; Osborn K ; Kostelanetz R ; Phillpot C ; Hamady W., 1984

 Item
Identifier: CC-25716-26176
Scope and Contents

In addition to artist biographies, the catalogue lists book-related resources including collections, presses, catalogues, publications, organizations, bookstores, and supplies. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1984

Art Book Box Annoucement / Depew, Linda., 2003

 Item
Identifier: CC-57971-10001229
Scope and Contents

Linda Bandt Depew designed the typography for Wally Depew's Art Book Box 1 and the annoucement card. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2003

Aspects of Russian Art 1915-1935: Selections from the Merrill C. Berman Collection / Rodchenko A ; Popova L ; Altman N ; Seminova E ; Klucis G ; Lebedev V., 2005

 Item
Identifier: CC-43912-46021
Scope and Contents

This catalogue was designed by Ellen Boxer. However, it is not part of the Edition Ubu series because the original owners split and only Adam Boxer now uses the Ubu name. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2005

Baseline 28 / Anonymous., 2000

 Item
Identifier: CC-36052-37826
Scope and Contents

The poster depicts stylized letter 'P's based upon a design by Michael Bauerenfiend drawn in 1736. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 2000

Baseline 29 / Kitching, Alan., 1999

 Item
Identifier: CC-36049-37823
Scope and Contents

This version is on glossy paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999

Baseline 29 / Kitching, Alan., 1999

 Item
Identifier: CC-36050-37824
Scope and Contents

This version is on matte paper. -- Source of annotation: Marvin or Ruth Sackner.

Dates: 1999