Language poetry
Found in 52 Collections and/or Records:
A Cappella, 1973
This is Andrews third book. The poems are composed with clusters of single and fragmented words whose content anticipates Andrews' more developed language poetry style. An introductory manifesto describes this new poetry. The cover design incorporates typed concrete poetry on th back cover. -- Source of annotation: Marvin or Ruth Sackner.
Automatic Volatile Blot; A Collaborative Email Exchange, 2008
Axiom of a Torn Pulley, 1995
Of 42 copies published, 30 were distributed to the friends of author and publisher; only 12 were sold to the public. -- Source of annotation: Marvin or Ruth Sackner.
Beige Copy, 1997
Both Both, 1987
Brambu Drezi: Book Two; Manuscript Addendum, 1996
These loose sheets and pages consist of sketches and revisions of the 1st draft. -- Source of annotation: Marvin or Ruth Sackner.
Brambu Drezi: Book Two; Manuscript / Berry, Jake., 1996
Berry notes on the last page of the book that this first draft was completed 11.25.96 3:29 AM. The manuscript has at least 60 abstract, ink line drawings. -- Source of annotation: Marvin or Ruth Sackner.
Bull, 2006
Clown Door, 1997
Corona, 1973
This is the poet's first or second book. -- Source of annotation: Marvin or Ruth Sackner.
D Rain B Loom, 2006
Each page of this book is a collaborative poem. -- Source of annotation: Marvin or Ruth Sackner.
Doubt, 2000
The dense poetry is described by Peter Ganick as "pure poetry...not of music, nor words...with something of meaning...with stunning conclusions.......Leftwich has created here a living entity...not to be missed for its reality." -- Source of annotation: Marvin or Ruth Sackner.
Drafts of the Sorcery, 1998
Dusk Road Games, 1967
Edge, 1973
This is the first book published by Andrews. In it, he provides a definition of language poetry, viz., a) fragmentation and quality of words other than (and along with) their meaning, b) stress on texture, sound, rhythm, space and silence, c) less "content" (in the old sense) but hopefully the "language" becomes the content and d) the "individual" words have meanings and associations but these are not yoked together and aimed "outside the poem" at a single externally applied meaning for a poem as a whole. -- Source of annotation: Marvin or Ruth Sackner.
Elevation at They Ran, 1983
Em Egon, 1995
Excla , 1993
Film Noir , 1978
The typographic layout approaches concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.
Film Noir, 1978
The typographic layout approaches concrete poetry. Bernadette [Mayer] heads The Poetry Project in NYC. -- Source of annotation: Marvin or Ruth Sackner.
