Each letter of the word REVOLTE, separately framed, is made of chewing gum by the artist who describes in each accompanying diary text what, when, and duration of the type of gum he chewed. -- Source of annotation: Marvin or Ruth Sackner.

These prints have not been published in an edition. -- Source of annotation: Marvin or Ruth Sackner.

Pages consist of rubberstamped, random arrangements of varied colored letters and numbers that signify a metaphor for sexual orgasm. The two copies with identical cover and number of pages differ in the rubbrstamped letters and numbers/ -- Source of annotation: Marvin or Ruth Sackner.

The seascape is composed of a mass of letters spelling seascape located in the lower left with the shape of an ocean wave. The upper right has the word yellow signifying the sun. -- Source of annotation: Marvin or Ruth Sackner.

The letraset drawing reproduced on page 13 of this book is held by Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

This digital calligraphic work was made from letters traced by Dautricourt in pen and ink and then realized in a computer using Adobe Illustrator and Adobe Photoshop. It was printed on Bristol paper with a laser printer. The text was derived from the book Shamot, from the Torah, the Hebrew Bible, chapters 31, 32 and 35. The Hebrew letter 'lamed' constitutes the background and the center biblical text was printed in muted orange, purple and beige colors. -- Source of annotation: Marvin or Ruth Sackner.

This digital calligraphic work was made from letters traced by Dautricourt in pen and ink and then realized in a computer using Adobe Illustrator and Adobe Photoshop. It was printed on Bristol paper with a laser printer. The text was derived from the book Shamot, from the Torah, the Hebrew Bible, chapters 31, 32 and 35. A large Hebrew bown letter 'shin' formed the background for the Biblical texts printed in red and white. -- Source of annotation: Marvin or Ruth Sackner.

This digital calligraphic work was made from letters traced by Dautricourt in pen and ink and then realized in a computer using Adobe Illustrator and Adobe Photoshop. It was printed on Bristol paper with a laser printer. The text was derived from the book Shamot, from the Torah, the Hebrew Bible, chapters 31, 32 and 35. A block of white text in the center was surrounded by black and red text printed with a larger font size. -- Source of annotation: Marvin or Ruth Sackner.

This digital calligraphic work was made from letters traced by Dautricourt in pen and ink and then realized in a computer using Adobe Illustrator and Adobe Photoshop. It was printed on Bristol paper with a laser printer. The text is derived from the book Shamot, from the Torah, the Hebrew Bible, chapters 31, 32 and 35. A yellow Hebrew letter 'lamed' formed the background with the text printed in black and grey overlying it. -- Source of annotation: Marvin or Ruth Sackner.

This is the first publication of a book that was later pubished in 1990 by Xexoxial Editions as Visual Poems. Several of the original poems depicted in this book are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Image consists of the sixty red number '60's' with varied dimensions placed in a vertical rectangular space with some of the numbers overlapping. It was done n celebration of Tom Phillips' 60th birthday. -- Source of annotation: Marvin or Ruth Sackner.

Designated Chapbooks No.12. The author is also known as Jennifer Pike. -- Source of annotation: Marvin or Ruth Sackner.

The text on a black stripped background consists of repeated letters "z's" implying the sleep state in slang. -- Source of annotation: Marvin or Ruth Sackner.