Letter picture
Subject Source: Sackner Database
Found in 270 Collections and/or Records:
eé (and it is), 1967
This is also designated No.2 of the series "fonemi plastici 1967." -- Source of annotation: Marvin or Ruth Sackner.
EEE: L'Ephemere Est Eternal by Michel Seuphor, 1964
Eight Cold Spot Tondos (Lettrist), 1979
Each poem is on the verso of a commercial circular top of a "Cold Spot Freezer Pail Pack." All the poems have been given a title by Drachler, e.g., Stop Loss, Quiz, Buzz Fact, etc. -- Source of annotation: Marvin or Ruth Sackner.
[Elelc 270166], 1966
Elemental Diptych, 1992
The poem expresses creation of the world. Included in a plastic envelope as "7 Assorted Pieces." -- Source of annotation: Marvin or Ruth Sackner.
Entreparentesis / Aguiar, Fernando., February 1995
Equilibrium, 1980
The third of three of Bellaert's "n-books," all of which are held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Erdglobus (Lead Ball), 1985
[Eye with Letters], 2012
Fall-Out Effect 1, 1989
Image is a portrait of Marvin Sackner when he had a beard. -- Source of annotation: Marvin or Ruth Sackner.
Fall-Out Effect 2, 1989
Image is a portrait of Ruth Sackner. -- Source of annotation: Marvin or Ruth Sackner.
[FI], 1967
Consists of five, large red letter forms which resemble F's and I's. -- Source of annotation: Marvin or Ruth Sackner.
Fierce Indulgence, 2010
Each page reproduces one of Beaulieu's letraset collages. -- Source of annotation: Marvin or Ruth Sackner.
Fierce Indulgence, 2010
Each page reproduces one of Beaulieu's letraset collages. -- Source of annotation: Marvin or Ruth Sackner.
finally, 2011
Stored in Derek Beauleau box. -- Source of annotation: Marvin or Ruth Sackner.
First Collaboration: Part 3, 1995
Consists of a nine panel grid, 4 colored photographs, 2 printed texts of concrete poetic letter pictures, and 3 scribblings. -- Source of annotation: Marvin or Ruth Sackner.
for fk (011165), 1965
From Constance to Fifi: The Loves of My Life, 1985
The love is actually for a fount of Atlas type. When Charlotte Garry wrote to John Crombie saying she didn't understand the book, he patiently wrote back, 'it is designed, essentially as a diversion for typographers: the cover and first page show a complete fount, the lay of a case of type. On each successive page, a number of letters have been removed: those required to compose a particular name. Ten pages, ten names - from Constance to Fifi. Of course, it's really just a pretext dreamed up by me to show off the Atlas type, an old case of which I'd just acquired by chance.' -- Source of annotation: Marvin or Ruth Sackner.
