Scope and Contents

Each contributor submitted two photographs mounted on museum boards. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The theme, "meca-esthetic" means the field of all the instruments of art in general and painting in particular such as canvas, brushes, tubes, etc. and for engraving the paper, the colors, etc. The bookbinding made by Dupont was made to illustrate this theme as well as the etchings in which the possibilities of "meca-esthetique" by way of manipulating, cutting, handcoloring, collaging, etc. the surface, the edge, or the depth of each etching. Arches paper was used for the prints. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition was curated by Francois Letaillieur. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition was curated by Francois Letaillieur. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The edition consisted of 25 copies plus seven copies for contributors and legal deposit. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This CD consists of a 11 second recording of silence. The ink drawing of a silouette of a bird has been used in Broutin's lettriste drawings. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This CD consists of a 11 second recording of silence. The ink drawing of a silouette of a bird has been used in Broutin's lettriste drawings. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibition was curated by Broutin and Sabatier. Satie's objects "De A a Z" 1971 and "Les Mots Parlent" 1970, both held by the Sackner Archive, were exhibited and depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In Lemaitre's essay, he mentions that that only 200 bound copies of Les Journaux Des Dieux were delivered for distribution because there were insufficent funds to pay him - "which of course makes the saved volumes extremely valuable." The books as well as prints and printed plates depicted in this exhibition consisted of 'Les Journal des Dieux' [The God's Diaries], 'Initiation a la haute volupte' [Initiation to High Voluptuousness], and 'Jonas.' -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The pages of this book were printed on Arches paper. There are 13 copies and two artists proofs. Broutin contributed an introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This book includes an introductory essay by Frederique Devaux and photographic illustrations of Lettrist works from 1963 (Isou) through 1997 (James and Gillard). -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents This is a facsimile of a book first published in 1969. Jean-Pierre Gillard comments: The youth of the creators of books, once established their glory, have always fascinated those who try to swim upstream to the source. When, in August 1969, Broutin realizes these pages in Indian ink on rough paper with the attention of a beginner than twenty-one years, he shows the product of his early research: "I attended Lettrists artists since 1968 and I tried to capture the most recent contributions before imposing my own style. "There are writings recalling the Egyptian demotic - Broutin studied Egyptian epigraphy - the set of lines polyautomatiques, imaginative, and, in terms of rhythm, a taste for eccentricity, even for the vacuum. The linearity of the following year will move with metecisations It is young, before developing, in 1973, with a large project still continued today, Desire and externite paradise. Take note of this notebook c ' has become aware of the defining moments in the...

Scope and Contents

This is the ordinary edition of unstated number of copies; ten copies had an added gravure. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Mentions that Isou has written Principes de Chimie. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The Sackner Archive lent the majority of works to this exhibition. Curtay wrote the text for the catalogue. It includes a history and chronology if the Lettrist movement. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In one copy, there is a letter enclosed from Scott Helmes to the Sackners mentioning that he didn't get to see much of the show because the gallery didn't open on time. There is also a newspaper clipping of a review by Alan Artner, the art critic of the Chicago Tribune. -- Source of annotation: Marvin or Ruth Sackner.