Scope and Contents

Each contributor submitted two photographs mounted on museum boards. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Exhibited in Visualog 2, San Luis Obispu, California. The exhibition was curated by Karl Kempton. This book consists of scores of sound poems. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The tipped-in colored photographs depict images of Sabatier or his paintings. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This wine bottle label was presented to the Sackners at dinner at Le Coupole Restaurant in Paris, November 2000. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The card reproduces a portrait of Francesco Conz in his memory. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

This is a very well illustrated catalogue of book covers of the art movements featured in the title. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The edition consisted of 25 copies plus seven copies for contributors and legal deposit. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

The duplicate copy does not have folds. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

In Visualog 2. The Sackner Archive holds two signed and numbered copies of this book, each with a collage. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents

Roland Sabatier provides an introductory essay. The loose collage in this copy differs in imagery from the other copy of the book held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Scope and Contents The loose collage in this copy differs in imagery from the other copy of the book held by the Sackner Archive. This copy is a varient in which the metal relief sculpture accompanying the book is separate rather than being bound into the book (& is stored in a flat file drawer). It is signed on the lower right of the board mounting and is numbered 10/14 and dated in the original 1.4.71. It was resigned by Satie "for Ruth and Marvin Sackner Alain Satie '82. According to Arts Libri 154 2010, this work is profusely illustrated. Loosely inserted, as issued, an original collage by Satie of clipped comic book illustrations, hand-torn text, and elaborate original ink drawing, mounted on Arches, and signed and numbered (as part of the edition) in pencil. Edition limited to 30 copies on velin d'Arches, signed and numbered by Satie in the justification, of which this is an unspecified edition de tete: one of a few copies with a unique sculpture a spray-painted metal construction by Satie,...