Frederic Acquaviva contributes a preface in which he describes Satie's country house and the Lettrist art and furnishings. It is exactly as the Sackners remember the house and studio from their visit there about 1990. The theme of this book is Satie's portraits of artists who remained in the Lettrist movement. -- Source of annotation: Marvin or Ruth Sackner.

David Seaman curated this exhibiton and contributed an essay tracing the routes of Lettrisme to the present day. The exhibition was reviewed in the Statesboro Herald. -- Source of annotation: Marvin or Ruth Sackner.

Maurice Lemaitre wrote the preface to this book. Lemaitre stated that only 200 copies survived in his essay in Isou's exhibition catalogue, Hypergraphic Novels 1950-1984. -- Source of annotation: Marvin or Ruth Sackner.

In this document, Lemaitre expresses unhappiness with Chopin's chapter in the exhibition catalogue of University of Iowa's exhibition on Lettrism. This is stored with Curtay's materials. -- Source of annotation: Marvin or Ruth Sackner.

David Seaman curated this exhibition and writes in his essay, "Lettrisme is a cultural school, similar to Romanticism and Surrealism, seeking to bring about an evolution of universal values through its own characteristic creations. It continues even today...We do not read these works in the literal sense, but we gather the diffuse meanings that are suggested by semantic elements such as letters, symbols, and icons." The exhibition included Lettriste sound poetry, film and hypergraphic novels. Alain Satie and Woodie Roehmer participated, the latter recreating a floating sculpture, "Aquatic Dance." -- Source of annotation: Marvin or Ruth Sackner.