The sound poem was first performed in 1966 in Theatre De L'Echiquier, Paris. -- Source of annotation: Marvin or Ruth Sackner.

On the last page of this book, Lemaitre has written an unfinished letter to MOMA in New York. It concerned his disappointment in the non-recognition of his work by MOMA . He wanted Ruth Sackner to complete and send it to Kirk Varnedoe. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. It is printed on paper alpha mousse des papeteries Navarre and does not include the photographic portrait of Isou as does the trade edition. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. -- Source of annotation: Marvin or Ruth Sackner.

Depicts one of the self-portaits by Van Gogh but instead of impasto to create the image, Dupont uses different colored letters of the alphabet and overprints some sections. This is the same image on Dupont's exhibition announcement for Galerie Ariane Bomsel 1990. -- Source of annotation: Marvin or Ruth Sackner.

In Lemaitre's essay, he mentions that that only 200 bound copies of Les Journaux Des Dieux were delivered for distribution because there were insufficent funds to pay him - "which of course makes the saved volumes extremely valuable." The books as well as prints and printed plates depicted in this exhibition consisted of 'Les Journal des Dieux' [The God's Diaries], 'Initiation a la haute volupte' [Initiation to High Voluptuousness], and 'Jonas.' -- Source of annotation: Marvin or Ruth Sackner.

The second section of this work, "Traite de Mathematiques" depicts black and white reproductions of 11 of Isou's Lettriste paintings whose content is primarily calligraphic markings and hieroglyphics. -- Source of annotation: Marvin or Ruth Sackner.

This book has a very dense text about Isou's philosophy without illustrations. -- Source of annotation: Marvin or Ruth Sackner.

The edition size of this work is unknown but since there is a great deal of hand drawn additions, each one must be unique. -- Source of annotation: Marvin or Ruth Sackner.

Isidore Isou contributes an essay written in 1968 which includes an "Introduction au Lettrisme," "La Photographie Ciselante," "La Photographie Lettriste et Hypergraphique," "La Photographie Supertemporelle," and "L'Avenir de la Photographie." The photographs mainly depict images captured by the camera from life or collage and subsequently treated with paint, ink, and/or scratched additions to the negative or the photograph itself. This copy is one of 20 reserved for the contributors which in this was Maurice Lemaitre. -- Source of annotation: Marvin or Ruth Sackner.

No.39 of series "Documents Lettristes." -- Source of annotation: Marvin or Ruth Sackner.

This is the maquette for the exhibition poster. -- Source of annotation: Marvin or Ruth Sackner.

This is the show poster for the exhibition.