This book is also designated Issue No.3 of a series entitled "Le Monde des grands musee." Isou discusses Lettrisme in the final 19 pages of this book that includes 54 b&w photographs of Lettrist works of art. Page 94 depicts Lemaitre's Sculpture inimaginable" (1964), a multiple redone in 1986 in 50 copies which is held by the Sackner Archive. The Sackner Archive also holds the deluxe editon of this book (1974), one of 50 copies that includes a print by Isou. -- Source of annotation: Marvin or Ruth Sackner.

The duplicate copy does not have folds. -- Source of annotation: Marvin or Ruth Sackner.

Records telephone conversation with Ruth Sackner on page 4. -- Source of annotation: Marvin or Ruth Sackner.

Other than Pomerand and Isou, the listing of 22 additional contributors to this issue are unfamiliar names. However, three of these contributors, e.g., Brasil, Claude Hirsch, and Charles Dobre contributed sound poems. This is the first Lettrist periodical. -- Source of annotation: Marvin or Ruth Sackner.

The spine of the folder is frayed and torn but the contents are in excellent condition. This is probably the finest example of varied experimental Lettrist writing. An essay on four mimeographed loose pages possibly by Isou and not a part of ths piece entitled"Quelques Certitudes Theologiques et Esthetiques" has been tucked into the cove runder the dust jacket.The ouside lithographs are identical from page to page and allread Isidoe Isou repetively accompamied by Lettrist hieroglphics. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive holds several of Dupont's bookworks listed and depicted in this catalogue. -- Source of annotation: Marvin or Ruth Sackner.

Luiggi used the initial 'E.' for his surname in this catalogue. Several works depicted in this catalogue are held by the Sackner Archive. The loose sheet lists the prices for the works. -- Source of annotation: Marvin or Ruth Sackner.

This print, labeled sample copy unsigned, depicts a seated female nude figure outlined in black with calligraphic text printed in red in upper right corner. -- Source of annotation: Marvin or Ruth Sackner.

This exhibition was a collaboration among the artists, the Institut du Monde Arabe (Paris) and the Galerie Le Chanjour (Nice). -- Source of annotation: Marvin or Ruth Sackner.

This book compiles a series of interviews of Isou by Devaux that took place between November 1991 and January 1992. -- Source of annotation: Marvin or Ruth Sackner.

The works reproduced in this catalogue depict sketches of Cocteau in the center portion of the paintings along with fragments of abstract and semi-realistic art pieces. This image is encircled with calligraphic and hieroglyphic texts at its periphery. -- Source of annotation: Marvin or Ruth Sackner.

The theme of this festival was avant-garde film and audio-visual works. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. It is printed on paper alpha mousse des papeteries Navarre and does not include the photographic portrait of Isou as does the trade edition. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. -- Source of annotation: Marvin or Ruth Sackner.

This book is the theoretical text that deals with Isou's ideas on the theater. -- Source of annotation: Marvin or Ruth Sackner.

This print depicts a standing female nude outlined in black with mathematical formulas in black beside her. -- Source of annotation: Marvin or Ruth Sackner.

David Seaman curated this exhibiton and contributed an essay tracing the routes of Lettrisme to the present day. The exhibition was reviewed in the Statesboro Herald. -- Source of annotation: Marvin or Ruth Sackner.

Published as a polemic text during the May 1968 student revolution in France. -- Source of annotation: Marvin or Ruth Sackner.