Optical image
Found in 347 Collections and/or Records:
[2 interlocking circles] (100267) / Houedard, Dom Sylvester., 1967
The typed image is formed with "6's" and "9's." -- Source of annotation: Marvin or Ruth Sackner.
3. Almanach der Galerie im Centre / Breger, Udo, editor; Badura M; Groh K; Ulrichs T; Ruhm G; Staeck K; Bisinger G; Koehler R; Schuldt; Bremer U., 1969
The soft cover book accompanying this assembling of mostly visual art pieces consists of documentation through letters, poems and stories by the contributing artists. -- Source of annotation: Marvin or Ruth Sackner.
[3-D opened box] (060367) / Houedard, Dom Sylvester., 1967
An open space is contianed within a 3 D parallelogram of shlashes. -- Source of annotation: Marvin or Ruth Sackner.
[3-D rectangles] (050669) / Houedard, Dom Sylvester., 1969
[3-D rectangular bars] / Houedard, Dom Sylvester., 1969
[3D dot planes] (200469) / Houedard, Dom Sylvester., 1969
The outline of the planes are periods and the vertical plane is formed from slashes. -- Source of annotation: Marvin or Ruth Sackner.
9 Optical Poems / Valoch, Jiri; Houedard DS., 1967
Also designated Writers Forum Folders #3. Includes nine prints on papercard and one print on paper collaged to envelope. Fiver of the nine loose prints are stored in a binder; the others in the original envlope in the Valoch box. -- Source of annotation: Marvin or Ruth Sackner.
[A], 1967
Consists of uppercase A forms bisected with 3 vertical lines. -- Source of annotation: Marvin or Ruth Sackner.
A Buddhist (27-1-66) / Cameron, Charles., 1966
ab + / Mairey, Francoise., 1999
Cards No.5 & No.6 were scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
ABFHILNOUVXYZ / Cremer, Sigfrid; Cladders J., 1966
The images of the letters listed as the title are designed in a positive/negative mode, one letter to a print, reminiscent of the print, "Negative," by Ann Noel, also held in the Sackner Archive. The original portfolio was discarded owing to water damage in an accident; some of the prints have signs of water damage at their bottoms. -- Source of annotation: Marvin or Ruth Sackner.
Abracadabra / Hamady, Walter., 1984
Composed for Hamady's wife's 28th birthday. -- Source of annotation: Marvin or Ruth Sackner.
ac + / Mairey, Francoise., 1999
Cards No.10 & No.11 were scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
[Aerial View Building] (260569), 1969
This complex, dense, aerial view of buildings was achieved by typing only slashes and minus signs. -- Source of annotation: Marvin or Ruth Sackner.
[Alto Secondo] / Gualtieri, Massimo., 1981
Ampersands, 1968
Design by John Furnival. -- Source of annotation: Marvin or Ruth Sackner.
an + / Mairey, Francoise., 1999
Cards No.10 & No.11 were scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
ar + / Mairey, Francoise., 1999
Most of the cards are dated 1989. The cards are not numbered. The first two cards assigned No.1 & No.2 were scanned into record. -- Source of annotation: Marvin or Ruth Sackner.
Archive for Ingrid Harris' Dataware / curry, jw., 1990
As indicated in the handwritten leaflet, this project was done for a publication that wanted "nonrepresentational line work a la Caruso but not limited to line stacking." Several examples of Barbara Caruso's drawings are held by the Sackner Archive. curry placed a perfect square in the drawing's center surrounded by a circle, rectangles or a partial rectangle, all formed with blue inked straight lines or cross hatched lines. None of these drawings, which have optical effects, were published. -- Source of annotation: Marvin or Ruth Sackner.